Andrey Gryazev

Andrey Gryazev

出生 : 1982-02-15, Moscow, USSR (Russia)

略歴

Andrey Viktorovich Gryazev (Russian: Андрей Викторович Грязев; born 15 February, 1982; Moscow, USSR) is a Russian documentary filmmaker, cinematographer, editor and producer. Author of several short and full-length documentaries. Gryazev's films are participants of more than 50 international festivals (Berlin, Leipzig) and winners of various prizes: "Silver Centaur" in St. Petersburg, the nomination of the Russian Film Academy "Nika", the Grand Prix of Artdokfest and the Grand Prix of the festival in Krakow. Two-time winner of the national award "Laurel Branch". The second film "Miner's Day" became the best film of our time at the festival "Texture" in Perm. The third feature film "Tomorrow" (the story of the art group War) was the first Russian documentary film by a participant of the Berlinale in the Forum program. In 2012, he was nominated for the Sutherland Award for Best European Directorial Debut at the 56th BFI London Film Festival.

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Andrey Gryazev

参加作品

First Blood
Editor
The majority of women are unhappy in life because they haven’t sought revenge right away for the pain associated with the loss of virginity. This is the opinion of Lisa, who will sacrifice her first love.
First Blood
Screenplay
The majority of women are unhappy in life because they haven’t sought revenge right away for the pain associated with the loss of virginity. This is the opinion of Lisa, who will sacrifice her first love.
First Blood
Director
The majority of women are unhappy in life because they haven’t sought revenge right away for the pain associated with the loss of virginity. This is the opinion of Lisa, who will sacrifice her first love.
The Foundation Pit
Writer
A found footage film compiled from countless YouTube videos in which the people of Russia make a direct appeal to president Putin. A kaleidoscope of the mood in the country – from submissive pleas to pure rage about injustice and rampant corruption.
The Foundation Pit
Producer
A found footage film compiled from countless YouTube videos in which the people of Russia make a direct appeal to president Putin. A kaleidoscope of the mood in the country – from submissive pleas to pure rage about injustice and rampant corruption.
The Foundation Pit
Editor
A found footage film compiled from countless YouTube videos in which the people of Russia make a direct appeal to president Putin. A kaleidoscope of the mood in the country – from submissive pleas to pure rage about injustice and rampant corruption.
The Foundation Pit
Director
A found footage film compiled from countless YouTube videos in which the people of Russia make a direct appeal to president Putin. A kaleidoscope of the mood in the country – from submissive pleas to pure rage about injustice and rampant corruption.
Tomorrow
Director of Photography
Revered by the likes of Banksy and Brian Eno, the members of Russian collective Voina (War) have gained notoriety for public ‘actions’ that have landed their leaders in jail. In Tomorrow filmmaker and former ice-dancing champion Andrey Gryazev embeds himself with the group to create this fly-on-the-wall documentary focusing on Voina’s founders, Oleg Vorotnikov (known as Vor) and Natalia Sokol (known as Koza), along with their two-year-old son Kasper, who accompanies them on all of their actions.
Tomorrow
Editor
Revered by the likes of Banksy and Brian Eno, the members of Russian collective Voina (War) have gained notoriety for public ‘actions’ that have landed their leaders in jail. In Tomorrow filmmaker and former ice-dancing champion Andrey Gryazev embeds himself with the group to create this fly-on-the-wall documentary focusing on Voina’s founders, Oleg Vorotnikov (known as Vor) and Natalia Sokol (known as Koza), along with their two-year-old son Kasper, who accompanies them on all of their actions.
Tomorrow
Producer
Revered by the likes of Banksy and Brian Eno, the members of Russian collective Voina (War) have gained notoriety for public ‘actions’ that have landed their leaders in jail. In Tomorrow filmmaker and former ice-dancing champion Andrey Gryazev embeds himself with the group to create this fly-on-the-wall documentary focusing on Voina’s founders, Oleg Vorotnikov (known as Vor) and Natalia Sokol (known as Koza), along with their two-year-old son Kasper, who accompanies them on all of their actions.
Tomorrow
Screenplay
Revered by the likes of Banksy and Brian Eno, the members of Russian collective Voina (War) have gained notoriety for public ‘actions’ that have landed their leaders in jail. In Tomorrow filmmaker and former ice-dancing champion Andrey Gryazev embeds himself with the group to create this fly-on-the-wall documentary focusing on Voina’s founders, Oleg Vorotnikov (known as Vor) and Natalia Sokol (known as Koza), along with their two-year-old son Kasper, who accompanies them on all of their actions.
Tomorrow
Director
Revered by the likes of Banksy and Brian Eno, the members of Russian collective Voina (War) have gained notoriety for public ‘actions’ that have landed their leaders in jail. In Tomorrow filmmaker and former ice-dancing champion Andrey Gryazev embeds himself with the group to create this fly-on-the-wall documentary focusing on Voina’s founders, Oleg Vorotnikov (known as Vor) and Natalia Sokol (known as Koza), along with their two-year-old son Kasper, who accompanies them on all of their actions.
The Day of the Coal Miner
Director of Photography
The story is about a family that lives in a ghost town. 15 years ago, there was a job and a happy life here. After the closure of the mine, there were only old barracks, mountains of recycled land and unnecessary people who had lost the meaning of life. Is it possible to survive in such conditions and not sink even lower, when all moral boundaries are erased? Are these people's hopes for happiness destroyed? And is there a place for a holiday, a dream, or love in a hopeless reality? At the festival "Texture" in Perm, the tape was awarded the main prize.
The Day of the Coal Miner
Screenplay
The story is about a family that lives in a ghost town. 15 years ago, there was a job and a happy life here. After the closure of the mine, there were only old barracks, mountains of recycled land and unnecessary people who had lost the meaning of life. Is it possible to survive in such conditions and not sink even lower, when all moral boundaries are erased? Are these people's hopes for happiness destroyed? And is there a place for a holiday, a dream, or love in a hopeless reality? At the festival "Texture" in Perm, the tape was awarded the main prize.
The Day of the Coal Miner
Director
The story is about a family that lives in a ghost town. 15 years ago, there was a job and a happy life here. After the closure of the mine, there were only old barracks, mountains of recycled land and unnecessary people who had lost the meaning of life. Is it possible to survive in such conditions and not sink even lower, when all moral boundaries are erased? Are these people's hopes for happiness destroyed? And is there a place for a holiday, a dream, or love in a hopeless reality? At the festival "Texture" in Perm, the tape was awarded the main prize.
Sanya and the Sparrow
Director of Photography
The two who came to work in Moscow met on the gravel pass. Sanya and Sparrow. One is thirty seven, the other is nineteen. Problems began when they stopped paying salaries. Two lost souls lost at the bottom of life and ... an unexpected happy ending.
Sanya and the Sparrow
Producer
The two who came to work in Moscow met on the gravel pass. Sanya and Sparrow. One is thirty seven, the other is nineteen. Problems began when they stopped paying salaries. Two lost souls lost at the bottom of life and ... an unexpected happy ending.
Sanya and the Sparrow
Screenplay
The two who came to work in Moscow met on the gravel pass. Sanya and Sparrow. One is thirty seven, the other is nineteen. Problems began when they stopped paying salaries. Two lost souls lost at the bottom of life and ... an unexpected happy ending.
Sanya and the Sparrow
Director
The two who came to work in Moscow met on the gravel pass. Sanya and Sparrow. One is thirty seven, the other is nineteen. Problems began when they stopped paying salaries. Two lost souls lost at the bottom of life and ... an unexpected happy ending.
Ice Age
Producer
About the impossibility of resisting the force that destroys everything.
Ice Age
Screenplay
About the impossibility of resisting the force that destroys everything.
Ice Age
Director
About the impossibility of resisting the force that destroys everything.