Andrew Kim

Two neighbors bond after a shared traumatic event, a continuous home development creeps into nature's threshold, and a community celebrates freedom. The Instability of Clouds navigates an ecosystem in decay and growth while traversing across its spaces of comfort, spectacle, and disaster. Through the observation and construction of facets within a suburban neighborhood in Southern California, connections between landscape, neighbors, and environment ruminate on the American Dream and its resonances.

The great voyages to the "New World" were seen as expanding the frontiers of the visible and displacing those of the invisible, therefore maps from that time render the real and imaginary. The film follows a voyage of the Brazilian Military in search of an imaginary island with the same name as their country. In the myth from 1483 Brazil, or Hy-Brazil, is known to exist to the west of Ireland and above the Fortunate Islands. Visão do Paraíso is an examination of the capacity of the human imagination and computer simulations to construct environments. Amidst the fine threshold of the real, simulated, and imagined, the film analyzes the contemporary ideas of virtual reality and their ambition to expand the frontiers of the physical world into a "New World".

The three films you will see are shot-for-shot reproductions of the compilation film Instant Life (1981). Each film in Instant Life (1981) was a remake of an earlier film also called Instant Life (1941). The earlier Instant Life (1941) was a single film, not a compilation. In 2017, we decided to recreate Instant Life (1981). We did not attempt to recreate Instant Life (1941) because that Instant Life is lost. Instant Life (1941) was a silent film presented with live musical accompaniment. After the show, audience members received a printed riddle. Instant Life (1981) is a sound film. The riddle is part of the film. No answer to the riddle exists.

The three films you will see are shot-for-shot reproductions of the compilation film Instant Life (1981). Each film in Instant Life (1981) was a remake of an earlier film also called Instant Life (1941). The earlier Instant Life (1941) was a single film, not a compilation. In 2017, we decided to recreate Instant Life (1981). We did not attempt to recreate Instant Life (1941) because that Instant Life is lost. Instant Life (1941) was a silent film presented with live musical accompaniment. After the show, audience members received a printed riddle. Instant Life (1981) is a sound film. The riddle is part of the film. No answer to the riddle exists.

The three films you will see are shot-for-shot reproductions of the compilation film Instant Life (1981). Each film in Instant Life (1981) was a remake of an earlier film also called Instant Life (1941). The earlier Instant Life (1941) was a single film, not a compilation. In 2017, we decided to recreate Instant Life (1981). We did not attempt to recreate Instant Life (1941) because that Instant Life is lost. Instant Life (1941) was a silent film presented with live musical accompaniment. After the show, audience members received a printed riddle. Instant Life (1981) is a sound film. The riddle is part of the film. No answer to the riddle exists.

The three films you will see are shot-for-shot reproductions of the compilation film Instant Life (1981). Each film in Instant Life (1981) was a remake of an earlier film also called Instant Life (1941). The earlier Instant Life (1941) was a single film, not a compilation. In 2017, we decided to recreate Instant Life (1981). We did not attempt to recreate Instant Life (1941) because that Instant Life is lost. Instant Life (1941) was a silent film presented with live musical accompaniment. After the show, audience members received a printed riddle. Instant Life (1981) is a sound film. The riddle is part of the film. No answer to the riddle exists.

…..the moment the shadow swells is the moment the image is realized….

Set in the landscapes of Los Angeles, this hybrid documentary seeks to explore harmful cyclical occurrences that exploit natural resources and bring us closer to extinction. Following the discovery of a mysterious metal structure in the desert, this film documents the encased objects found within the structure. This film is made up of speculative recreations of the study conducted, analysis of the found objects, and surrounding landscapes.

A meditation on the relationship between humans, nature, and technology.

In Cannery Row, John Steinbeck refers to the Monterey dawn as the hour of pearl or "the interval between day and night when time stops and examines itself." Transposed to a community of fishermen at the Ventura Pier in 2017, these words offer a new kind of insight.

'Ben' and 'Amber' have highly sensitive and very much sought after information in their possession. Information that has had them running for their lives.

A video is a stream of information, and this moving image relies upon the relationship of static frames, which are algorithmically determined. In the language of video compression, the (I) frames are the reference points between which movement is interpolated. Manual deletion or misplacement of (I) frames results in a video glitch known as a datamosh: the stream of nformation d srupted, d sorgan zed … nterupeted … lost … the ( ) frame removed, rejected … BUT, reclaimed, the (I) frames, the burning bolts of the machine, are at once reasserted in this dance macabre ... (I) FRAME is a mechanical ballet set to the original tempo that characterizes motion on screen at 24 "(I) frames" a second...

“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”

A turn once more to that which cannot be fixed, this ocean of watery images. Mindfulness provides some kind of golden solvent. Keep your eyes on the flame... even when they are closed.

A meditation on our fantastic condition of mortality and impermanence... The peacock painted on the window will never dance or speak. It is only the peacock that lived in the forest which used to speak, dance, and walk in a sweet manner.

Although he has been limited to bit parts, the actor Tony Longo is an axiom of American action cinema: the giant who is too soft-hearted for the job. Composed of three short movies, Hey, Asshole!, Adam Kesher and You Fucking Dickhead!, The Tony Longo Trilogy brings together all of the actor’s scenes in three of his most memorable films: The Takeover (Troy Cook, 1995), Living in Peril (Jack Ersgard, 1997) and Mulholland Dr. (David Lynch, 2001).

An examination whereunto is joined a discourse of the causes, continuance and qualities of such phenomena in nature; occasioned as a matter in contest with those who have deemed these lights to be manifestations of the paranormal.

Incoherent sources for a resonant system inspired by Gordon Gould's notes on the feasibility of light amplification by stimulated emission of radiation.

Three times the same strip of film. Look not for what it ought to be, but for what is actually happening. Part 1: The latent image forms; Part 2: The latent image expressed, the chemical record; Part 3: The record decoded.

This is not a film about miniature horses... Rather, this documentary explores the idea of perfection as understood by The American Miniature Horse Association Standard of Perfection. The film questions the nature of such ideals as they are applied to the miniature horses of The Quicksilver Ranch in Solvang, CA .

"The Official Magic Capital of the World" is located in rural Southern Michigan. The town is called Colon (although no one can seem to remember exactly why). It is home to twelve-hundred people, fourteen churches, two competing magic shops and one tavern named Curly's. Ultimately, Colon, Michigan celebrates a community that believes in the importance of all things magical.

a film by Zazie Ray-Trapido & Leonardo Pirondi