Denise Tual

参加作品

The Life and Times of Don Luis Buñuel
Self
Made a year after Luis Buñuel's death in 1983 this is an illuminating portrait of the surreal and visionary director, featuring clips, archival interviews, and commentary from scholars and contemporaries including Catherine Deneuve, Fernando Rey, and Jeanne Moreau. Directed by Anthony Wall with readings from Buñuel's autobiography by Paul Scofield. Six trims to meet copyright restrictions.
Olivier Messiaen and the Birds
Director
"A renowned composer and organist, Olivier Messiaen was also a great teacher. Michel Fano, who took his composition class at the Paris Conservatory, films some of the privileged moments of his teaching. This film, co-directed with Denise Tual, also shows Messiaen as a devotee, an ornithologist, and a synaesthete, evoking the fundamental concepts of his inspiration with an often sparkling ease (the musician imitating certain bird songs in a manner reminiscent of Rouch recreating the cries of wizards for certain films). In this way, the film boldly collides sequences with visual or sound correspondences, the directors succeeding in dragging us into the world of mystery and dreams dear to the musician." (François Waledisch)
Phèdre
Associate Producer
In the absence of her royal husband Theseus, thought to be dead, Phaedra declares her love to Hippolyte, Theseus's son from a previous marriage.
The Century Is Fifty
Director
As the title of this French documentary indicates, Ce Siecle a 50 Ans examines the 20th Century at its halfway point. Utilizing the archives of several European film reserves, director Denise Tua offers a fascinating mosaic of the people and events that shaped the years 1900 to 1950. Complementing the vintage film clips are three dramatized sketches, delineating the romantic customs of three different points in time. These sketches are inadequately performed, and can easily be ignored. Ce Siecle a 50 Ans both preserved and provided celluloid material for scores of future documentaries.
La Dame de chez Maxim's
Editor
Dr. Lucien Petypon is usually a serious man, but, drawn by his friend Corignon, he once paints the town red at Maxim's. When he wakes up late the next morning, he finds the scantily clad Môme Crevette, a dancer at the famous Paris restaurant, by his side. It is the moment General Petypon du Grêlé, Lucien's rich uncle, chooses to make an unexpected visit. The good doctor has no other choice but to pass Crevette off as his lawful wife.