Originally from Bahia and considered today one of the most globalised musical movements in the world, Axé is a musical rhythm that carries in its essence a good part of all the musical and cultural syncretism of Bahia. The documentary brings together interviews and archive images outlining the birth of Axé.
Based on the autobiography of noted music executive André Midani, André Midani — An Insider’s Story of Brazilian Music (2015) explores Brazilian music throughout his five-decade career through informal gatherings and jam sessions at his home, featuring Caetano Veloso, Jorge Ben Jor, Gilberto Gil, and Marisa Monte, among other luminaries of the industry.
A panorama of Brazilian popular music from the 60s and 70s through the musical group Novos Baianos. A retrospective of the community lifestyle adopted by its members and the influence inherited from singer João Gilberto.
Hello, Hello, Terezinha! is a feature-length documentary about the country's biggest communication phenomenon. Politically incorrect, radical, renewing, Chacrinha changed Brazilian television forever and expressed a Brazil that was around it, but was not perceived. The film tells the great adventure of Abelardo Barbosa through the eyes of the presenter. It gathers the nuclei of its constellation - chacretes, fledglings and artists who passed through its programs - to identify their individualities and their emotions.
The film records the commemorative tour of the ten years of the career of the Bahia singers Caetano Veloso, Gilberto Gil, Maria Bethânia and Gal Costa, who formed the group with the name of Doces Bárbaros (Sweet Barbarians), at the suggestion of Bethânia. Conceived to present the shows of the live album that would be released (Doces Bárbaros - Live), the documentary changed of tone when registering the arrest and judgment of Gilberto Gil and of a companion by possession of drugs. Gil was forced to go to a detox clinic, and only went out to participate in the programmed shows.
The adventures of a gang of thieves and murderers led by violent Caveirinha. A radical disruption proposal from the postulates of the Cinema Novo, a film with a loose narrative structure. Through the actions of a group of outlaws, the director sews in scenes that propose iconoclasm and elation as forms of opposition to the military dictatorship oppression.
