Alex Dragomir

1968, The Socialist Republic of Romania. Women catch up on the latest tendencies in beachwear, the young hippies of Hamburg are harshly criticized by Romanian students, while Nicolae Ceaușescu reads the famous defiance speech against the intervention of the Warsaw Pact troops in Czechoslovakia. Floating solemnly over all this is The Internationale, sung on a stadium by a crowd of pioneers dressed in white shirts and red ties. A certainty for each probability: the documentary is at the same time a history lesson and an ideological warning sign, the director’s endeavour permanently draws our attention to the functions of the propaganda film, yet without tarnishing the fascination that dwells in the core of the images, that of the figures that wave at us from a past buried in commonplaces and political parti pris.

Tired of waiting for love to happen to her, Clara decides to make it happen. She chooses Vlad for her love project. But she wants The One; he wants anyone. She wants a prince, and he is only a man.

For two friends there is only one secret to happiness, that is easy to understand, but, perhaps, difficult to accept.

For two friends there is only one secret to happiness, that is easy to understand, but, perhaps, difficult to accept.

For two friends there is only one secret to happiness, that is easy to understand, but, perhaps, difficult to accept.

“Last autumn, a good childhood friend of mine, Florin, told me that his brother, Laurentiu, invented a new sport by changing the rules of football. One month later I went to Vaslui, my hometown, with a small film crew in order to learn more about this new sport...”

A documentary about the Jewish people in Romania and their several migrations towards Israel, across history and changing political frames - everything presented in a self-proclaimed dadaist style.

A documentary about the Jewish people in Romania and their several migrations towards Israel, across history and changing political frames - everything presented in a self-proclaimed dadaist style.

A documentary about the Jewish people in Romania and their several migrations towards Israel, across history and changing political frames - everything presented in a self-proclaimed dadaist style.

Nineteen-year-old Viorel lives with his mother in a remote Moldovan town. He has no great ambitions nor any illusions about life. He and his pal Goos earn a little cash through illegal activities, and Viorel is helping him fulfill his dream of flying. His mother tries to convince him to find a decent job. Eventually, Viorel begins taking control of his life.

Jonathan Vogel (Guillaume Depardieu) would like to turn back the clock and undo the accident that led to his disability and destroyed his life. When he learns that Stivlas Karr (Carlo Brandt), a well-known professor and geneticist, has developed a gene therapy for regenerating the human body, he makes an appointment with him for some clinical tests. But the therapy doesnt go according to Professor Karrs plan and leads to unexpected results. Jonathan, whose life is now in danger, has become aware that there is only one person who can help him: Alice (Alysson Paradis), the professors daughter.

A cop named Cristi must go undercover to trail teen Victor who is suspected of selling pot in the north-eastern city of Vasliu.

The short is about three juvenile delinquents who break out of prison, kidnap a prostitute and a driver and play with them on an empty beach.

Victor, a business man from Bucharest who can’t stand anymore to see his son beat up in school, takes the boy to boxing classes. But Vlad, who’s 12 years old, is not interested in learning how to fight and refuses to enter the first training. To teach him a lesson, the father enters the boxing ring himself.

In a small village in the Danube Delta, where traditions are confronted with new material purposes, a teenage girl is becoming a woman. This is the story of Ryna, a 16 year old girl, working as an motor mechanic in Sulina, who strives to find her identity next to a father who is firmly denying her femininity.

It's the 22nd of December. Sixteen years have passed since the revolution, and in a small town Christmas is about to come. Piscoci, an old retired man is preparing for another Christmas alone. Manescu, the history teacher, tries to keep up with his debts. Jderescu, the owner of a local television post, seems not to be so interested in the upcoming holidays. For him, the time to face history has come. Along with Manescu and Piscoci, he is trying to answer for himself a question which for 16 years has not had an answer: "Was it or wasn't it a revolution in their town?"

A shy teacher and a versatile driver from a small vilage are gonig to town send by the mayor to bring a computer for the Mayoralty and a lavatory for the mayor, but things don't end like they suposed to.

A strange dream forgotten in the morning and an unaccountable feeling cause Liviu to look with resignation upon the world he's living in. His awakening to reality may coincide with the birth of his child ...

A young man's attempt to flee the misery of his alcoholic villagers.