Philip Brophy

Inspired by Tom Roston's oral history ‘I Lost it at the Video Store’, this playful feature length documentary uses a deep local focus to show how VHS changed art forever. As the video shop era fades to black, Rainbow Video delves into the eclectic personal collections and practices of some of Melbourne's most renowned contemporary media artists. Through lively interviews and site studies of many legendary, now defunct video shops, Rainbow Video uncovers a secret history of a brief but impactful era.

Rowland S. Howard, the Primitive Calculators, Ollie Olsen, Phillip Brophy and many others proffer their recollections and air their animosities in a tribute to the underground music scene of '77-'81 in Melbourne, Australia. This is a warts and all look at the Melbourne underground music scene of 1977 to 1981 that spawned the likes of Nick Cave, Rowland S. Howard, Ollie Olsen, The Birthday Party, the Primitive Calculators, The Ears as well as venues such as the Crystal Ballroom and others that fostered what became known as the Little Band scene.

Every morning Zoe counts and comments on Rebecca's (her daughter) nine round sneezing routine. Rebecca's sick of it. Her best friend, Cath, is trying to find a boyfriend for Rebecca but is losing hope because she's SO picky. In truth 'Becca doesn't like boys at all and is kinda smitten with Cath herself.

A boy climbs an unsteady path to adulthood under difficult circumstances in this drama from Australia. Shaun (Kane McNay) is a teenager growing up in a run-down suburb of Melbourne. His father Sam (Brett Swain) is in prison, while his mother Jenny (Nell Feeney) is too lost in her problems with alcohol to provide much guidance for her children. Left to his own devices, Shaun commits petty theft, smokes pot, and deals drugs to his friends as they hang out at the nearby shopping mall. Shaun seems unable to reach out to anyone, not even his girlfriend (Lauren Hawker) or Darren (Brett Tucker), a social worker eager to help him. When his father is released from prison and brings his mistress to the "Welcome Home" party Jenny throws for him, Shaun comes to realize that if he is ever to resolve his problems, he will have to do it without the help of his family. Mallboy marked the feature film debut for writer/director Vincent Giarrusso.

A boy climbs an unsteady path to adulthood under difficult circumstances in this drama from Australia. Shaun (Kane McNay) is a teenager growing up in a run-down suburb of Melbourne. His father Sam (Brett Swain) is in prison, while his mother Jenny (Nell Feeney) is too lost in her problems with alcohol to provide much guidance for her children. Left to his own devices, Shaun commits petty theft, smokes pot, and deals drugs to his friends as they hang out at the nearby shopping mall. Shaun seems unable to reach out to anyone, not even his girlfriend (Lauren Hawker) or Darren (Brett Tucker), a social worker eager to help him. When his father is released from prison and brings his mistress to the "Welcome Home" party Jenny throws for him, Shaun comes to realize that if he is ever to resolve his problems, he will have to do it without the help of his family. Mallboy marked the feature film debut for writer/director Vincent Giarrusso.

A cyber-punk thriller combining live action and 3D animation, set in Melbourne, Australia in the future.

A series of chamber-fictions inhabited by a young woman named Alice. Linked in an oblique, dream-like way, these short, sharp stories describe Alice's survival in an everyday world of bizarre logic and strange emotions. A collection of allusive, absurdist, narrative episodes, which often resemble dream fragments; it's a place where miracles unfold in the bathroom and desire appears on a bus, where menacing joggers roam the suburbs and there's something sinister about hats.

Residents of peaceful Pebbles Court, Homesville, are being used unknowingly as test experiments for a new 'Body Drug' that causes rapid body decomposition (melting skin etc.) and painful death.

Residents of peaceful Pebbles Court, Homesville, are being used unknowingly as test experiments for a new 'Body Drug' that causes rapid body decomposition (melting skin etc.) and painful death.

Residents of peaceful Pebbles Court, Homesville, are being used unknowingly as test experiments for a new 'Body Drug' that causes rapid body decomposition (melting skin etc.) and painful death.

Residents of peaceful Pebbles Court, Homesville, are being used unknowingly as test experiments for a new 'Body Drug' that causes rapid body decomposition (melting skin etc.) and painful death.

Residents of peaceful Pebbles Court, Homesville, are being used unknowingly as test experiments for a new 'Body Drug' that causes rapid body decomposition (melting skin etc.) and painful death.

Residents of peaceful Pebbles Court, Homesville, are being used unknowingly as test experiments for a new 'Body Drug' that causes rapid body decomposition (melting skin etc.) and painful death.

Alex is in love with her best friend, Vicki, her mother has dissapeared and she sets fire to things in her spare time. Vicki comes from an abusive home and wants Alex to run away with her. Alex is a bit of a nerd and a teachers pet, so takes advantage of this by trying to seduce her drippy school teacher. Alex watches as Vicki, unable to escape her terrible homelife and an psychological wreck, sets alight to herself and burns to death.

Strange experimental short film that follows four days of a writer.

Strange experimental short film that follows four days of a writer.

Strange experimental short film that follows four days of a writer.

Strange experimental short film that follows four days of a writer.

Strange experimental short film that follows four days of a writer.

An experimental documentary on dancing and its part in subcultures from punk to electro.

An experimental documentary on dancing and its part in subcultures from punk to electro.

An experimental documentary on dancing and its part in subcultures from punk to electro.

Part Brechtian in its distancing of language, and part-Warholian in its funtime-exploitation of a circle of friends, I You We typifies the strong textual focus of many → ↑ → films and videos of the time.

Part Brechtian in its distancing of language, and part-Warholian in its funtime-exploitation of a circle of friends, I You We typifies the strong textual focus of many → ↑ → films and videos of the time.

Part Brechtian in its distancing of language, and part-Warholian in its funtime-exploitation of a circle of friends, I You We typifies the strong textual focus of many → ↑ → films and videos of the time.

A short Super 8 film by → ↑ → which is exactly what the title says. The focus of the film, though, is the audiovisual effects generated by placing an alternative soundtrack to the original images. The spoken fragments are snippets of commentary remembered from watching the broadcast, making the film a deconstruction not only of the original broadcast, but also of the experience of watching the broadcast. The droning layers of built-up synthesizer noise obliterate the expected musical spectacle. This film set the agenda for Philip Brophy's altered/reworked soundtracks in numerous films and videos since: from 1982's Ads through to the 2000-2015 cycle Evaporated Music.

A short Super 8 film by → ↑ → which is exactly what the title says. The focus of the film, though, is the audiovisual effects generated by placing an alternative soundtrack to the original images. The spoken fragments are snippets of commentary remembered from watching the broadcast, making the film a deconstruction not only of the original broadcast, but also of the experience of watching the broadcast. The droning layers of built-up synthesizer noise obliterate the expected musical spectacle. This film set the agenda for Philip Brophy's altered/reworked soundtracks in numerous films and videos since: from 1982's Ads through to the 2000-2015 cycle Evaporated Music.

A short Super 8 film by → ↑ → which is exactly what the title says. The focus of the film, though, is the audiovisual effects generated by placing an alternative soundtrack to the original images. The spoken fragments are snippets of commentary remembered from watching the broadcast, making the film a deconstruction not only of the original broadcast, but also of the experience of watching the broadcast. The droning layers of built-up synthesizer noise obliterate the expected musical spectacle. This film set the agenda for Philip Brophy's altered/reworked soundtracks in numerous films and videos since: from 1982's Ads through to the 2000-2015 cycle Evaporated Music.

A short Super 8 film by → ↑ → which is exactly what the title says. The focus of the film, though, is the audiovisual effects generated by placing an alternative soundtrack to the original images. The spoken fragments are snippets of commentary remembered from watching the broadcast, making the film a deconstruction not only of the original broadcast, but also of the experience of watching the broadcast. The droning layers of built-up synthesizer noise obliterate the expected musical spectacle. This film set the agenda for Philip Brophy's altered/reworked soundtracks in numerous films and videos since: from 1982's Ads through to the 2000-2015 cycle Evaporated Music.

A 16mm film dual projection film by → ↑ → assembled and edited from 16mm reels of advertisements produced for Australian television in the early 70s. A cassette audio narration accompanies the dual projection.

A 16mm film dual projection film by → ↑ → assembled and edited from 16mm reels of advertisements produced for Australian television in the early 70s. A cassette audio narration accompanies the dual projection.

A 16mm film dual projection film by → ↑ → assembled and edited from 16mm reels of advertisements produced for Australian television in the early 70s. A cassette audio narration accompanies the dual projection.

Exploring Michael Mann's 1983 film adapted from the F. Paul Wilson novel and its impact.

Grey Metal is a psychological horror film. The story is centered on a young heavy metal fan who thinks he is possessed by a devil. Maybe he is. Or maybe it's something else ...

Grey Metal is a psychological horror film. The story is centered on a young heavy metal fan who thinks he is possessed by a devil. Maybe he is. Or maybe it's something else ...

Grey Metal is a psychological horror film. The story is centered on a young heavy metal fan who thinks he is possessed by a devil. Maybe he is. Or maybe it's something else ...

Grey Metal is a psychological horror film. The story is centered on a young heavy metal fan who thinks he is possessed by a devil. Maybe he is. Or maybe it's something else ...

Grey Metal is a psychological horror film. The story is centered on a young heavy metal fan who thinks he is possessed by a devil. Maybe he is. Or maybe it's something else ...

The Sound of Milk is a sci fi gender war film in development. It doesn't end well.

The Sound of Milk is a sci fi gender war film in development. It doesn't end well.

The Sound of Milk is a sci fi gender war film in development. It doesn't end well.

Dark Seed is a psychological drama in development, tracing the interconnections between three women and the dark gendered undercurrents which shape their lives and personalities.

Dark Seed is a psychological drama in development, tracing the interconnections between three women and the dark gendered undercurrents which shape their lives and personalities.

Dark Seed is a psychological drama in development, tracing the interconnections between three women and the dark gendered undercurrents which shape their lives and personalities.

Dark Seed is a psychological drama in development, tracing the interconnections between three women and the dark gendered undercurrents which shape their lives and personalities.

Dark Seed is a psychological drama in development, tracing the interconnections between three women and the dark gendered undercurrents which shape their lives and personalities.