Bethany McLeod

参加作品

サンクスギビング
Assistant Set Dresser
「感謝祭(=サンクスギビング)」発祥の地とされるアメリカ・マサチューセッツの田舎町。感謝祭とは、家族や愛する人々と共に日々の収穫や恩恵に感謝し祝福する、一年でもっとも盛大な祝祭。ハッピーなお祭りムードを楽しんでいた人々だったが、突如として現れた清教徒<ピルグリム・ファーザーズ>の指導者ジョン・カーヴァーのお面に身を隠した連続殺人鬼によって、町は恐怖のどん底へと突き落される。残虐なやり口で殺人鬼の犠牲になった人々は何者かによって謎のインスタグラムの投稿にタグ付けされていた。感謝祭のおしゃれな食卓が映る投稿には、意味深に配された住民たちの名札が! なぜ彼らは狙われるのか──。饗宴が狂宴と化し、一夜が永遠のトラウマとなる史上最悪の感謝祭<サンクスギビング>が始まる!
Late Night Double Feature
Set Decoration
During a late night taping of "Dr. Nasty's Cavalcade of Horror", bloody chaos takes place during the screening of two features ("Dinner for Monsters" and "Slit"). Samantha/Nurse Nasty is frustrated by how the show is being run by its womanizing director and its drunk and crazy host Dr. Nasty.
Late Night Double Feature
Art Direction
During a late night taping of "Dr. Nasty's Cavalcade of Horror", bloody chaos takes place during the screening of two features ("Dinner for Monsters" and "Slit"). Samantha/Nurse Nasty is frustrated by how the show is being run by its womanizing director and its drunk and crazy host Dr. Nasty.
Late Night Double Feature
Production Design
During a late night taping of "Dr. Nasty's Cavalcade of Horror", bloody chaos takes place during the screening of two features ("Dinner for Monsters" and "Slit"). Samantha/Nurse Nasty is frustrated by how the show is being run by its womanizing director and its drunk and crazy host Dr. Nasty.
Bed of the Dead
Art Direction
Four twentysomethings find themselves stuck on a haunted antique bed where leaving means suffering a gruesome death. Plagued with frightening hallucinations, they must figure out the bed's secrets before they are ultimately picked off one by one.
The Sublet
Art Direction
The Sublet is a suspense driven psychological thriller about Joanna, a new mom coping with her baby alone in an odd sublet apartment. As her husband neglects her to focus on his career, Joanna questions her sanity as she discovers a violent past to the apartment and suspects that the building may be haunted.
The Hexecutioners
Art Direction
Two disparate young women working for a company that conducts euthanasia are dispatched to a remote estate to perform a custom assisted-suicide ritual, but unwittingly summon the wraiths of a Death Cult that once inhabited the property.
Ejecta
Set Dressing Artist
Two men witness an unexplainable event in the sky as a historic solar storm approaches, and they try to survive as a terrifying life form hunts them.
溺殺魔 セバスチャン・ドナー
Property Master
After almost drowning in a lake, Madison finds herself bound to a life of fear. Unable to describe what happened to her during the moments she was underwater, she begins to develop hydrophobia: an abnormal fear of water. Crippled by her post trauma, Madison attempts to shut out the world but her fear intensifies and she is faced with the vision of a dark figure that haunts her day and night. After watching her struggle for one year with the phobia and visions, Madison's four friends attempt an unconventional intervention in which they accidentally open a floodgate to a dark place where none of them are safe. As Madison and her friends dive deeper into the dark history of this figure that haunts them, it reaches out and begins dragging them to a horrifying place that they can never come back from.
溺殺魔 セバスチャン・ドナー
Art Direction
After almost drowning in a lake, Madison finds herself bound to a life of fear. Unable to describe what happened to her during the moments she was underwater, she begins to develop hydrophobia: an abnormal fear of water. Crippled by her post trauma, Madison attempts to shut out the world but her fear intensifies and she is faced with the vision of a dark figure that haunts her day and night. After watching her struggle for one year with the phobia and visions, Madison's four friends attempt an unconventional intervention in which they accidentally open a floodgate to a dark place where none of them are safe. As Madison and her friends dive deeper into the dark history of this figure that haunts them, it reaches out and begins dragging them to a horrifying place that they can never come back from.