Tomasz Wieczorek

The film tells the story of two Highlander brothers – Maciek and Andrzej. After the death of their father, which Andrzej contributed to, and the loss of his beloved Bronka, Andrzej leaves the family home. On his way, he meets the mysterious Wolfram, an anthropologist and climber. He shares with him his mountaineering technique and knowledge about the Prague origins of the highlanders. Andrzej returns to Zakopane, war breaks out. To protect the Highlanders from wartime destruction, he wants to persuade them to cooperate with the Germans. Andrzej and Maciek are standing on opposite sides of the barricade. The brothers' confrontation is bloody and painful.

A young man crashes a school play rehearsal to prevent a group of teachers and eccentric parents from expelling his girlfriend's son.

Inspired by real events, the story of a young mother of an autistic boy, whose long-term persistence and struggle with bureaucracy and human heartlessness led to significant changes in the Polish education system.

Tomasz wakes up one morning and he realizes he is dead. According to his wife and friends, at least. However, he considers his catatonic state temporary and he can wake up before his own funeral.

少年院時代に熱心なキリスト教徒となった青年が、仮釈放中に立ち寄った教会で新任の司祭に勘違いされる。そのまま司祭として居座るが、思わぬ事態に……。ヤン・コマサ監督が実際に起こった事件を映画化した衝撃作。

In an incendiary story of love, desire, and betrayal between siblings, the rebellious young Tadek returns to his half-sister Anka’s home in search of solace and affection. Bound together by a painful shared family history, brother and sister must find a way to break free in order to survive. This formidable debut fearlessly yet tenderly explores one of society’s last taboos.

Two women, one house. An intimate story about a Pole and a German placed by war on enemy sides and their parallel lives accidentally brought together. The film reflects on the concepts of invaders, victim, guilt and forgiveness. It confronts different experiences and their paradoxical similarities. It deals with the controversial subject of the post-war accountings. The visual narration is flowing, guided by memories and archives. Traditional documentation confronts experimental use of archival footage in the cinematic impression about displacement.

Two women, one house. An intimate story about a Pole and a German placed by war on enemy sides and their parallel lives accidentally brought together. The film reflects on the concepts of invaders, victim, guilt and forgiveness. It confronts different experiences and their paradoxical similarities. It deals with the controversial subject of the post-war accountings. The visual narration is flowing, guided by memories and archives. Traditional documentation confronts experimental use of archival footage in the cinematic impression about displacement.

Helina, a modest checkout assistant at the Butterfly retail chain, dreams about getting a better life for herself and her daughter. An opportunity presents itself when Helina becomes a store manager. However, she soon discovers that the price for better wages and an improved standard of living is dishonesty, employee exploitation, and fraud.