N. M. Shankar

参加作品

Vaira Nenjam
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Vaira Nenjam is a 1975 Indian Tamil film, directed and produced by C. V. Sridhar. The film stars Sivaji Ganesan, Padmapriya, R. Muthuraman and K. Balaji in lead roles. The film had musical score by M. S. Viswanathan
Urimai Kural
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Together, Gopi and his brother are a power to reckon with. But Dorai, a jealous man, tries to turn them against each other and create the possibility of sibling rivalry.
Gehri Chaal
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Dharamchand is the Chair of Olympic Bank, which is due for a final audit by the 30th of the month. Shortly thereafter, his daughter, Hema, finds his dead body in his bedroom. She phones her brother, Ratan, who arrives, finds a suicide note in his dad's room, clarifying that he had embezzled 20 lakhs from the bank, is unable to repay it, and hence is killing himself. Ratan decides to protect the good name of the family and does not tell anyone about the suicide note to anyone, including Hema. Shortly thereafter, Ratan is approached by a blackmailer named Shekhar, who threatens to expose Ratan's secret if Ratan does not participate in a bank robbery that will take place two days before the final audit. Ratan assists him, the robbery takes place, the money is looted, all bank records are burnt, and the robbers make a successful getaway.
Avalukkendru Oru Manam
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The film deals with a triangular love with a good measure of values of the high society and those of liberal culture of the 60s.
Uttharavindri Ulle Vaa
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The movie deals with four friends. Ravichandran, the hero, is the son of a rich man (Veera Raghavan), and he along with his three friends Nagesh, Mali and Murthy, lives in a mansion owned by his father. While they plan to go on a holiday, a young woman (Kanchana) sneaks into the bungalow, fleeing from danger, and begs the hero to offer her solace for two days. He agrees and the trip is cancelled. Kanchanca and Ravichandran fall in love. Another woman (Vijaya Chandrika) suddenly appears one night and leaves her child, Baby Shanthi, with a note claiming that she is Mali’s daughter. Mali asserts that he has never seen the baby before and asserts that he doesn’t know the woman in the letter. But he falls for the child and brings her up with love and affection.
Sivandha Mann
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Sivandha Mann, also spelt as Sivantha Mann, is a 1969 Indian Tamil language film written, produced and directed by C.V. Sridhar that stars Sivaji Ganesan, Kanchana and M. N. Nambiar in the lead roles, while other actors like R. Muthuraman, Nagesh and S. V. Ranga Rao play supporting roles. It is notably the first Tamil film to be shot extensively in locations outside India, and later Tamil and Telugu films "fell to the French charm" after this. The film was a major success. A Hindi remake titled Dharti starred Rajendra Kumar and Waheeda Rehman in the lead, along with Sivaji Ganesan in a cameo role.
Galatta Kalyanam
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In order to marry Lalitha, Madhan sets out to find suitable bachelors to marry her three beautiful sisters as part of a condition set by her father.
Saathi
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Dr. Ravi returns from abroad and takes up position as Chief Surgeon in a hospital. He then meets with Nurse Shanti, who lives an impoverished lifestyle with her ailing mother, and decides to perform surgery, but she passes away, and a guilt-ridden Ravi marries Shanti much to the chagrin of his mentor, Kaka, who had hoped that he would marry his daughter, Rajni. The couple then travel to Kashmir for their honey-moon, and then settle down to a harmonious relationship. Hoping to travel even more, their plans are interrupted by the hospital's head doctor, who wants Ravi to focus on cancer research. The couple drop all travel plans and immerse themselves in research so much so that Shanti herself becomes ill.
Nenjirukkum Varai
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1967 film starring Shivaji Ganesan, K.R. Vijaya and MuthuramanaNenjirukkum Varai ("As long as we have a heart") is a 1967 Indian Tamil-language film directed and produced by C. V. Sridhar. The film stars Sivaji Ganesan, K. R. Vijaya, R. Muthuraman and V. Gopalakrishnan in lead roles. The film had musical score by M. S. Viswanathan. C. V. Rajendran who is the brother of C. V. Sridhar, worked as an associate director for this film.
Manase Mandiram
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Manase Mandiram (English: The Heart is a Temple) is a 1966 Telugu language romantic drama film, produced by Yarra Appa Rao on Sri Krishna Sai Films banner and directed by C. V. Sridhar. Starring Akkineni Nageswara Rao, Savitri in the lead roles and music composed by M. S. Viswanathan. The film was a remake of Tamil film Nenjil Or Aalayam (1962), Sridhar remade the film in Hindi as Dil Ek Mandir (1963). It was also remade in Malayalam as Hridayam Oru Kshethram (1976), and in Kannada as Kumkuma Rakshe (1977).
Kodimalar
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Kodimalar is a 1966 Indian Tamil language film, directed by C. V. Sridhar and produced by S. L. Nahaatha and A. K. Balasubramanian. The film stars R. Muthuraman, C. R. Vijayakumari, A. V. M. Rajan, Kanchana and Nagesh in lead roles. The film had musical score by MS Viswanathan.
Pyar Kiye Jaa
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Widower Ramlal lives a wealthy lifestyle near Poona, India along with two daughters and a son. His daughter, Malti, is a Science Graduate; Nirmala, a matriculate, and the son, Atma, who wants his dad to finance a Hindi film which he himself will produce under the banner of 'Wah Wah Productions'
Vennira Adai
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Sreekanth is a famous psychiatrist and has earned much praise from his mentor and people in the town. He is in love with Venniradai Nirmala. One day he is assigned a task to cure a mentally unstable women (Jayalalitha) who lives in Kodaikanal. Srikanth informs about this to his lover and request her to wait for him until he finishes this case. Srikanth promises he will return for her and sets out to Kodaikanal. On arriving, he is welcomed by Jayalalaitha's parents who are very much distressed with their daughter's condition. Srikanth questions them about her past but they conceal initially as it might have a severe consequence on her future. Upon reiteration that knowing her past will be very useful for him to cure her, Jayalalitha parents reveal her awful past. Jayalalitha at a very young age got married and within hours, the couple meet with an accident and her spouse dies.
Puthiya Paravai
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A rich widower meets a stranger and falls for her. Later, he is shocked to learn that the woman he loves is a police officer, who has come to gather evidence against him for the murder of his wife.
Kalai Kovil
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Kalai Kovil (Temple of Art) is a 1964 Indian Tamil-language film, directed by C. V. Sridhar and produced by Visu and Ganga. The film stars S. V. Subbaiah, Chandrakantha, R. Muthuraman and Rajasree in lead roles. The film had musical score by Viswanathan–Ramamoorthy. The film was released on 25 September 1964.
Kadhalikka Neramillai
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Ashok is in love with his boss' daughter, Nirmala. To convince Viswanathan, he seeks his best friend Vasu's help, who disguises as his father.
Nenjam Marappathillai
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A college sophomore, on a visit to his friend's village, explores a dilapidated and haunted villa, falls unconscious and learns completely about his past life of love and sorrow.
Dil Ek Mandir
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Dr. Dharmesh (Rajendra Kumar) and Sita (Meena Kumari) are in love, and hope to marry on Dharmesh's return from abroad. When Dharmesh returns, he is devastated to find that Sita has married someone else. He then decides to devote the rest of his life at a cancer clinic. One of his patients is Ram (Raaj Kumar), who is critically ill, and has to be operated upon. Things progress well, until Dharmesh meets Ram's wife - none other than Sita. Dharmesh now has to battle with his conscience, and his medical ethics to save Ram or to let him pass away, so that he can marry Sita.
Sumaithaangi
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A happy-go-lucky guy falls in love with his professor's daughter. Although his brother supports him, his financial situation forces him to make many sacrifices in life.
Policekaran Magal
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An honest police constable has a son (R. Muthuraman) and a daughter (C. R. Vijayakumari). Balaji, son of a rich affluent person is a friend of Muthuraman who often visit his house. Balaji falls in love with Vijaykumari to which she equally reciprocates. She meets Balaji secretly without the knowledge of both her father and brother. One day, Balaji's notorious friends commit a murder and they fled the scene using Balaji's car. At the same point of time, Balaji meets his love in a temple and promises to marry her. Meanwhile, Balaji's father plans to marry his son to one of this relative. Balaji initially discards this proposal but accepts after coming to know that he will be deprived of his father's wealth if he doesn't marry the girl arranged by his father. Vijaykumari is shocked to hear this and finally tells her relationship with Balaji to her parents.
Nenjil Oor Aalayam
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A doctor returns home and learns that his lover is now married. After he dedicates his life to treating cancer, he meets a critical patient, only to learn that his wife is his ex-lover.
Nazrana
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Raj (Raj Kapoor) and Vasanti (Vyjayanthimala) are college mates who clash when she complains to the college principal about a love letter he sent her. Later on, realizing her mistake, Vasanti apologizes to him and the two fall in love. Vasanti's elder sister, Geeta (Usha Kiron), supports the family by stitching clothes. Raj rents the room upstairs in their house. He falls ill and in nursing him, Geeta falls in love with him. She confides her love to Vasanti, who decides to sacrifice her love for the sake of her sister and convinces Raj to marry Geeta. Raj initially neglects Geeta. On finding out, Vasanti writes to him that their sacrifice, made for Geeta's happiness, would mean nothing unless he is a good husband to Geeta. Raj relents and marries Geeta and they have a son. Vasanti joins them and Geeta suspects that there is something on between Raj and Vasanti and makes Vasanti leave the house.
Vidivelli
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Chandru (Sivaji Ganesan) has a sister (Rajam) who is married to a handsome Ravi (Balaji). But her in-laws insist on a diamond necklace, without which she cannot join her husband. So, Chandru steals a diamond necklace with a locket and then his sister joins her husband. He and his mother (Shanthakumari) move to Madras where he finds a job in a company owned by a wealthy man (Ranga Rao). He falls in love with his daughter (Saroja Devi). One day, the necklace falls down and the locket opens, revealing a photograph of a young man. The husband and the others at home want to know who the person is. She says she has never seen him. But suspecting the worst, she is sent back to her parental home.
Meenda Sorgam
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Nirmala (Padmini) is a poor but talented young dancer who falls in love with a rich man's son Sekar (Gemini Ganesan), but he is forced to marry a rich man's daughter Prathiba (Tambaram Lalitha). Nirmala promises to her lover that she will never dance in public. Due to various circumstances, Sekar's house is up for auction, and in order to save him, she performs in public. With the money thus earned, she saves his house, but Sekar is unaware of this. When he learns the truth, he begins searching of her, and in the meantime, Prathiba, who is now reformed, commits suicide. Sekar meets Nirmala, who is on the verge of committing suicide, and they are reunited.
Pelli Kanuka
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Bhaskar (Akkineni Nageswara Rao) and Vasanti (B. Saroja Devi) are college mates who clash when she complains to the college principal about a love letter he sent her. Later on realizing her mistake, Vasanti apologizes to him and the two fall in love. Vasanti's elder sister, Geeta (Krishna Kumari), supports the family by stitching clothes.Bhaskar rents the room upstairs in their house. He falls ill and in nursing him, Geeta falls in love with him. She confides her love to Vasanti, who decides to sacrifice her love for her the sake of her sister and convinces Bhaskar to marry Geeta. Bhaskar initially neglects Geeta. On finding out, Vasanti writes to him that their sacrifice, made for Geeta's happiness, would mean nothing unless he is a good husband to Geeta. Bhaskar relents and Geeta and he have a son. Vasanti joins them and Geeta suspects that there is something on between Bhaskar and Vasanti and makes Vasanti leave the house.
Kalyana Parisu
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Baskar and Vasanthi are college-mates. A naughty girl creates misunderstanding between them, and an enraged Vasanthi complains to the college dean, who immediately dismisses Baskar. Now left homeless, Baskar however manages to get employed at a tea company, and gets to stay with his close friend Sampath. Vasanthi approaches Baskar and apologises for her cruel act. Baskar forgives her, and they both fall in love. Vasanthi lives with her mother and her elder sister Geetha who is unmarried. Baskar rents the vacant portion of their house. Over time, Vasanthi passes her exams and gets employed.
Charana Daasi
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The film revolves around couples - Dr. Chandra Shekar and Parvathi ahead Venu and Lakshmi. Charana Daasi (transl. Wife) is a 1956 Indian Telugu-language drama film written by Vempati Sadasivabrahmam and directed by T. Prakash Rao. It stars N. T. Rama Rao, Akkineni Nageswara Rao, Anjali Devi and Savitri, with music composed by S. Rajeswara Rao. The film is based on Rabindranath Tagore's 1906 Bengali novel Noukadubi. It was simultaneously made in Tamil as Mathar Kula Manikkam (1956). Story and Dialogues were by Vempati Sadasivabrahmam
Matharkula Manikkam
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The film is based on two couples – where the first couple Dr. Chandra Shekar (Gemini Ganesan) & Parvathi (Anjali Devi) and the second couple is Ravi (A. Nageswara Rao) & Lakshmi (Savitri). Ravi & Lakshmi are happy lovers. Ravi is summoned and asked to marry another girl forcibly. Since his father's life & honor are at stake, Ravi agrees to the marriage. Simultaneously another marriage takes place in the same village Dr. Chandra Shekar visits his best friend's sister marriage but the marriage cancels in the last moment due to dowry problems to keep up his friend's prestige Shekar marriage's his sister called Parvathi. Due to sudden marriage, the couple doesn't see each other. Thereby because marriage is happening without his wish Ravi also not seen the bride's face. Both the bridal parties traveling on the same train which run into a disastrous accident. In the accident Ravi's parents and wife are dead.