Lyubov Mulmenko
出生 : 1985-09-01, Perm, USSR (Russia)
略歴
Lyubov Nikitichna Mulmenko (Russian: Любовь Никитична Мульменко; born 1 September, 1985; Perm) is a Russian screenwriter, filmmaker and playwright, journalist, editor.
In 2014, two full-length films based on her scripts were presented at the Rotterdam Film Festival. The film "The Hope Factory" (directed by Natalia Meshchaninova) participated in the main competition, the film "Another Year" (dir. Oksana Bychkova) - in the Spectrum contest (and received the main prize "Big Screen Award"). Another scenario work of Mulmenko, the film "Name Me" (dir. Nigina Sayfullayeva), was first shown at the Kinotavr Festival (2014) and received a special mention by the jury with the wording "for easy breathing and the integrity of the artistic solution". These three films were shown at dozens of Russian and European festivals.
In 2021, Mulmenko presented his directorial debut - the picture "Danube" - in the main competition of the 32nd Open Russian Film Festival "Kinotavr".
Screenplay
Vanya is a salesperson in the Hunter and Fisher shop. Kristina is a ballerina at the Perm Opera and Ballet Theatre. Kristina jokingly calls Vanya a "retro person" for her love of everything old. She herself is a modern person, nostalgia for the romantic past is not characteristic of her. And yet, these two dissimilar people have something in common - the fear of loneliness and the obsession with starting a family.
Director
Vanya is a salesperson in the Hunter and Fisher shop. Kristina is a ballerina at the Perm Opera and Ballet Theatre. Kristina jokingly calls Vanya a "retro person" for her love of everything old. She herself is a modern person, nostalgia for the romantic past is not characteristic of her. And yet, these two dissimilar people have something in common - the fear of loneliness and the obsession with starting a family.
Dialogue
A young Finnish woman escapes an enigmatic love affair in Moscow by boarding a train to the arctic port of Murmansk. Forced to share the long ride and a tiny sleeping car with a larger than life Russian miner, the unexpected encounter leads the occupants of Compartment No. 6 to face major truths about human connection.
Director
The introvert Russian girl Nadia goes on holiday to Belgrade, inhabited by extrovert Serbians. She lives according to a plan, while the Belgraders live for joy. At first, Nadia is involved with the local guy Nesha, and then with his relaxed, semi-vagrant way of life. She takes the impulsive decision to give up her dull job and Moscow for the sake of love, freedom and Belgrade. Both this love, and this freedom must undergo the test of reality, which is always more difficult than our expectations.
Screenplay
The introvert Russian girl Nadia goes on holiday to Belgrade, inhabited by extrovert Serbians. She lives according to a plan, while the Belgraders live for joy. At first, Nadia is involved with the local guy Nesha, and then with his relaxed, semi-vagrant way of life. She takes the impulsive decision to give up her dull job and Moscow for the sake of love, freedom and Belgrade. Both this love, and this freedom must undergo the test of reality, which is always more difficult than our expectations.
Co-Writer
In a former mining town in North Ossetia, a young woman struggles to escape the stifling hold of the family she loves as much as she rejects.
Screenplay
Teenage boy Misha attends hypnosis sessions with psychotherapist Volkov to recover from sleepwalking. As a result, Misha falls under the influence of a hypnologist to such an extent that he ceases to understand where reality is and where illusion is. After the mysterious death of one of Volkov’s patients, Misha decides to conduct an investigation to get to the bottom of the truth. But what if the dream and reality merged into one, and in the end he becomes the main suspect?
Screenplay
Lena is a talented midwife and gynaecologist, her husband Serezha is an actor at a provincial drama theatre. They are close and gentle with each other, but there is no sex. Lena suspects that Serezha has an affair, but she worries quietly and does not reveal her jealousy. Instead of sorting out her relationship with her husband, Lena starts to betray him with chance acquaintances. Gradually Lena’s parallel life gets out of control and changes her original life.
Screenplay
Annual Charitable Christmas Evening “Action!”
Writer
The second part of the film “About Love”. Moscow, summer 2016. A new lecture, a new lecturer with a new theme: “How to preserve love in the modern world” – and five new stories about love. The heroes still suffer, struggle for love, even more often get into absurd and ridiculous situations, and yet they trust in love even more.
Screenplay
A practical joke ends up very wrong in Nigina Sayfullaevas curious youth drama. Two seventeen year old Moscow girls, Olya and Sasha, are visiting Olya's long lost father who lives in Crimea, when they decide to switch places and pretend to be the other person to the father. Little do they know that their joke comes with consequenses that will change their lives forever.
Writer
Industrial city of Norilsk: factories, cold, chemical air. The only desire of young people living here is to leave, against all odds. A docu-style, emotionally-driven drama about a young girl desperately fighting for an escape which is so blurry, and for love which is so insecure.
He's an unemployed guy who earns some money by giving lifts to strangers. She's a graphic designer who just got her first job. The film tracks their relationship - and the way it gradually melts away - throughout a year. A subtle, moving portrait of an immature love that breaks down easily.
Writer
He's an unemployed guy who earns some money by giving lifts to strangers. She's a graphic designer who just got her first job. The film tracks their relationship - and the way it gradually melts away - throughout a year. A subtle, moving portrait of an immature love that breaks down easily.
Screenplay
Nina is barely 40, she is attractive and successful: a stable marriage, a trusting relationship with her husband, a little son, a favorite job. The idyll of pleasant stability is broken by a call from the past - Nina's ex-lover Ruslan is dangerously ill and asks her to come to Tbilisi to see him, perhaps for the last time. The husband does not mind, he knew about their relationship in the past. Nina is happy to go to the city where she was happy in order to support a once loved one in a friendly way. She believes she loves her husband and family and plans to return home soon, not expecting this light trip to be her last.
