Jonathan Hansler

Frankenstein’s secrets did not die with him. As graves are torn up and patience disappear from asylum, William Browning sets out to find who stole his father’s body - and finds horrors close to home as his mother descends into madness.

'Give Them Wings' is based on the true story of severely disabled football fan Paul Hodgson.

A vengeful ex-con goes on a 24 hour killing spree, never saying a word. The discredited detective investigating the case is convinced there is more to it than the evidence suggests.

Antique expert Brendon Cole is summoned to authenticate a 300-year-old clockwork doll with a notoriously dark history known as The Inferno Princess. In the remote Highlands mansion where it has recently been uncovered, Brendon soon finds himself the victim of the automaton’s legendary curse as the malevolent forces surrounding it are terrifyingly awakened.

With ruthless US and Japanese investment banks circling Tuftons, a struggling two-hundred-year-old, family-run British bank, can its bumbling, incompetent chairman, Sir Charles Bunbury, fend off the onslaught and save the bank?

Cosmo (Reese Scholtz), a South African pianist falls in love with Sakeena (Reena Anjali), a British Muslim ballerina, who is being forced into an arranged marriage by her abusive radicalized Uncle Jehandar (Umit Ulgen).

A black comedy about a Californian geek in search of his horror hero Boris Karloff. Fresh off the plane from Los Angeles, horror geek Merv Blanco holds forth in reverential ecstasy as he finally finds himself outside 36 Forest Hill Road, London, birthplace of his hero, screen legend Boris Karloff. But what awaits in the run-down kebab shop that occupies what was once the Karloff home, is not what Merv was expecting.

Annie Dyer moves into a new apartment and quickly discovers she is not alone; a malevolent spirit repeatedly attempts to seduce her in order to possess her body as a vessel to carry out its vengeful mission.

June Bennett goes to Yorkshire to marry one of the richest men in Britain. Despite being twice her age, she knows what she is doing.

Following the sudden death of their last surviving parent - their Dad, two brothers and two sisters return to the family home after many years to face each other, face facts and face the future. But what do they know of the past?

Camelot is closed, King Arthur is dead and the Round Table is no more. Trainee knights GILBERT (a highly-strung hypochondriac) and EDGAR (an up-beat Christian) find themselves wandering the land in the company of a MYSTERIOUS KNIGHT in search of money, adventure and comfortable underwear. When the mysterious knight dies (mysteriously) Gilbert and Edgar find themselves in possession of a letter addressed to him from a certain KING KENDRICK, entreating him to help rescue his recently kidnapped daughter KATRINA. The letter comes with a bag of gold. Gilbert and Edgar act at once... they spend the gold. One pair of pants and a saint's kneecap later, the two knights are once again on their uppers. Whilst drowning their sorrows in a village grog shack, however, the two men get wind of an employment opportunity in the local castle of KING VINCENT of Essex. They make their way to the castle and are immediately hired as security guards...

Two hit men are sent to murder an old associate of their underworld boss. Middle-aged Pinner is the been-there-done-that cynical veteran, while his new inexperienced partner Cully is about as green as they come. Waiting for their mark to return home, and irritated by Cully’s constant nervous chatter, Pinner attempts to pass the time by telling a strange story from his past, involving Valentina, a dancer he was once ordered to kill… But things are not all what they seem in their quarry’s house and the discovery of a make-shift black magic altar - and its shocking sacrifice - sends the uncomprehending duo into the shadowy darkness of their own tortured souls and terrifying confrontations with their worst primal fears. Brilliantly acted, solidly crafted and exuding a palpable atmosphere of claustrophobic dread, this eerily effective gem finally announces the arrival of director Sean Hogan on the genre’s front-line.

A strict father loosens up enough to let his children take a day off school for a trip to the countryside. But things turn darker when the family realize he is planning to make it their last outing ever.

Two city-boy brothers, one a charismatic optimist, the other a whining corporate sell-out, return to the countryside for their father's funeral. On checking out his decrepit estate the boys find one of their dad's ancient friends hiding in a closet with a bag full money. Whilst they decide what to do the pensioner is left to suffocate in the closet, leaving them with a much bigger problem to deal with; tell the police, or leave the body in his own home and pretend nothing happened (keeping the money in the process). This opens their world up to a series of bizarre incidents resulting in the village's quirky population gently decreasing during their short stay.

Set in a industrial wasteland, a young boy discovers a injured man who he thinks is his father.

Face Value is a quirky satirical film based on a young man's obsession with his frown lines, the lengths at which he goes to smooth out his wrinkles and the money he spends, much to the annoyance of fellow housemates Toby and Sarah. To escape the mountain of debt his obsession has cost, Joey agrees to take part in a trial skin rejuvenation treatment, with some very unexpected results.