Executive Producer
Olivier, a very young provincial player, has become, within a few months, the icon of an unusual rugby team.
Line Producer
A mediocre pulp novelist is approached by a stranger claiming to be a serial killer with a proposition to chronicle his crimes.
Unit Production Manager
Arian lives in Simon's large parisian appartment. He wants to know everything from her, follows her, has her accompanied for her trips and constantly interrogates her. Knowing her taste for women and her double life only exacerbates his suffering, his helplessness and his desire for her.
Second Assistant Director
Marcel Proust (1871-1922) is on his deathbed. Looking at photographs brings memories of his childhood, his youth, his lovers, and the way the Great War put an end to a stratum of society. His memories are in no particular order, they move back and forth in time. Marcel at various ages interacts with Odette, with the beautiful Gilberte and her doomed husband, with the pleasure-seeking Baron de Charlus, with Marcel's lover Albertine, and with others; present also in memory are Marcel's beloved mother and grandmother. It seems as if to live is to remember and to capture memories is to create a work of great art. The memories parallel the final volume of Proust's novel.
