Geng Geng had been an ordinary girl before her entry to the best high school in the province by chance. She doesn't like her life there until she meets Yu Huai, her seatmate - their names make up the word "Geng geng yu huai", meaning "Unforgettable memories". They don't like each other at the beginning, but soon they start to understand each other.
Fate brings together three fascinating lost souls – a monk with a sack of money, an innkeeper with an uneasy conscience, and a father who’s lost his son – in young Chinese director Zeng Zeng’s mysterious tale of guilt, punishment and ambiguous redemption.
The boss played by Hong Jiantao is a "vulnerable man" who eats soft food. He lives in a bungalow and drives a luxury car. He looks like a wealthy man. In fact, these are all "countries" created by his wife. After the two experienced a seven-year itch, their marriage gradually broke down. Hong Jiantao secretly took Xiaosan outside, but was discovered by his wife, who hired a private detective to take pictures of the two men's affair, in order to coerce him to "cleanse and leave the house." In order to prevent his wife from grabbing the handle, Hong Jiantao hired a thief to steal the evidence from his wife. As a result, the thief was caught by the police during the theft, and the divorce that could have settled down became more and more troublesome in the end...
Hao Dong suffers from insomnia. One night he sees his neighbour across the street getting murdered. But when he arrives at the scene to investigate, the body has disappeared and the apartment turns out to be vacant. His girlfriend Yifan believes lack of sleep is playing tricks on his mind. Then he is witness to yet another murder, this time in his hometown of Nine Mile Village, and once again he appears to have imagined it all. Or is there something more going on? Does Hao Dong’s childhood in Nine Mile Village hold the key to this mystery?
A woman will go to whatever lengths necessary to obtain her dream home with a view of the sea. This includes driving down the property value and decreasing the occupancy rate by killing her potential neighbors ...
Chie Jen-Hao's Gangster Rock is a lovable mess, though more mess than lovable. It's essentially about people realising fame and fortune isn't everything as long as they're alive and have options, and while there are plenty of ways to film this sort of thing - from the stunning low-key fantasy drama of Studio 4C's Princess Arete to the laid-back coming-of-age vignettes that pepper Hong Kong and Taiwanese cinema - you generally need a compelling cast of characters and at least a modicum of professionalism to pull it off. Gangster Rock has neither. There are two stories here. One plotline follows Hau (Leon Jay Williams, Jump), a small-time gangster not long out of prison after a shakedown gone horribly wrong led to the death of his then girlfriend. The other stars (collectively) Gangster, a group of musicians working the underbelly of Taipei's club scene, where industry sharks insist the two lead
