In a country house at the turn of a century live a family of eccentrics. Anastasia, the beautiful mistress of the manor, enjoys the amorous attentions of her stepson Blarney so openly that her husband Diapanasius takes out his shotgun and shoots her. The rest of the family accepts her end as a matter-of-fact, and soon - her return as a voyeuristic ghost who interferes with their love lifes. Anastasia has a posthumous son Tadeusz, "born" by clambering out of the tree trunk. Anastasia seduces him too, and drives another men so crazy that they kill her another couple of times. Finally, Tadeusz, the arch-rebel, leads a mob on a raid of the old manor.
The film deals with the a clandestine Olympiade held in a German POW camp during WW II, housing many Poles, but also French and Brits. A spit and a Polish German lieutenant is added to the staff of a prison camp. He sees a Pole, the acknowledged leader of the Polish prisoners, against whom he had competed during the Berlin Olympics in 1936. He asks the Pole to train with him but is refused; the Pole points out out that he is a prisoner and nothing more. But that plants the seed and the Pole proposes and Olympics 40 to be held among the prisoners. They ingeniously make a flag and medals, set up a number of races; a croaching hop race is unwittingly organized by a German prison guard who uses it as a torture. The German lieutenant knows that something is going on but cannot find out. Finally the Germans realize the idea and the Polish chief is sent to concentration camp but the others disobey the orders.
A pastor studying folklore in remote parts of 19th century Lithuania is invited to stay with a young nobleman. His mother is sequestered and mad. It seems she has been attacked by a bear as a young wife and local peasants whisper the young man may be the son of a bear. A doctor, who treats the mother with old-fashioned remedies, reveals this to the pastor. Young nobleman's wife is found with a bite and the man has disappeared into the woods.
The title character is a professor looking to replace humans with cyborgs. His supremely creepy assistant Traumer, strikingly played by Majewski regular Andrzej Rausz, is one such creation. Professor H. intends to transpose Traumer’s brain with that of a renowned scientist, but is in for a surprise. A dark film in every sense, DOCENT H. is particularly noteworthy for its soundtrack, consisting of eerie whirs and beeps interspaced with snatches of Bach’s immortal “Toccata and Fugue in D Minor.” (from: http://www.fright.com/edge/JanuszMajewski.htm)
