Cheng Kwun-Min

A cop turns fugitive when he is framed for the murder of a keywitness in a weapons smuggling investigation. On the run the cop befriends a psychic who helps him to capture the real killer.

Sullen insurance agent Maggie Cheung reluctantly rescues a triad goon suffering from hatchet wounds (Roy Cheung), and thus begins their slow-burn romance.

An unscrupulous lawyer with an equally eccentric kung-fu sidekick wife tries to bring justice to the court.

A man is hired by a group of people he believes to be gangsters to escort a briefcase from America to Hong Kong. When he arrives, however, his contact is nowhere to be found. With no further instructions, he decides to take in the sights of Hong Kong, which consist of him taking part in a great deal of blood, sex and general weirdness, all while wearing a briefcase handcuffed to his arm.

Interior designer Dodo and lawyer Michael have been in love for years with no plans of marriage. Because of the intervention by the colleagues, Dodo resigns in anger and leaves for New York with Michael. She is heart-broken to catch Michael in a passionate scene with her close friend at the airport. After that, Dodo gets stuck with her first assignment of her own company. She has no resources but to seek help of Jacky, a worker from former design company, but misunderstanding arises between them due to difference in rank. But as they get on more, they begin to admire each other. Meantime, Michael, who tries to win back Dodo's heart. What would Dodo decide between her two admirers?

Three Against The World is a 1988 Hong Kong action film directed by Brandy Yuen and starring Andy Lau and Rosamund Kwan.

Tai (Raymond Wong), a loving and caring husband and Josephine (Cherrie Chung), his sweet and darling wife, are a young, merry couple. Tai has a close lawyer friend, funny but kind-hearted Choi Sum (John Sum) who often offers his help whenever Tai needs it. Tai works in a De Luxe hotel's top management. He brings his wife to the hotel's annual ball in which all his colleagues are fascinated by the beauty of Josephine. Among the colleagues, there is a notorious seducer who is execptionally keen in seducing the wives of his friends. Tai, with the help of Choi Sum, makes every effort to protect his wife. They bring themselves into a series of hilarious and comic situations. Due to a complicated misunderstanding, Tai learns that he has got an incurabl cancer. He worries about his wife and plans for her future happiness. Joe Yeung (Mark Cheng), a nice and smart guy has proved to be an ideal potential husband for Josephine. Tai tries his best to match Joe and his wife...

Lo Tien Pei has retired as the king of gambling. But Yen Li Shan, who was humiliated by Lo years ago, is coming to town with fiery vengeance in his heart. Yen manages to buy the Endless Night, the top casino night club in Shanghai. Lo's son, Chi Feng, sees his father being forced by Yen to fall to his death. Chi Feng, trying to get revenge against Yen is badly beaten up. Chi Feng escapes and eventually leaves Shanghai. He takes on the meanest jobs, including boxing against a kangaroo, to eke out a living. Chi Feng eventually comes back to Shanghai for revenge...

An introverted businessman who doesn't get out much, Willie Ng recently celebrated his seventh anniversary, but his marriage seems to be hitting a slump. His wife is a Cantonese opera aficionado who often complains that her husband is boring and doesn't appreciate the arts. Willie himself is also eager for some action to break the monotony. When he goes to Singapore on a business trip, he encounters cute pickpocket Siu Hung at the airport, triggering off a series of events that puts his marriage in jeopardy.

Taoist priestess Yu Hsuan-chi longs for the sort of earthy experience that a woman born to her lofty station is not expected -- or desired -- to have. While putting in an appearance with society's elite, she carries on a passionate affair with an itinerate swordsman named Tsui Po-hou. With both Hsuan-chi and Po-hou fighting against the tedium and hide-bound conventions of Chinese society, the two seem like a perfect match. Yet the ever restless Po-hou soon leaves her and continues on his travels. Hsuan-chi develops a reputation as an amoral libertine, partially because she is having sex with her maid Lu Chiao. After Po-hou returns and leaves her again, Hsuan-chi learns that Lu Chiao is pregnant but she refuses to divulge the name of the father. Hsuan-chi's reaction ultimately results in tragedy.

TONG Pak-Fu, CHUK Chi-Sang, MAN Ching-Ming and CHOW Man-Bun were the four famous learned-men in classical Mid-China. They were on good terms. Once, they picniced and visited the monkish home in Fu-Yau Mounts. While there they encounter the Lady of WAH Prime Minister in a sedan followed by a train of servants and maids. One of the maids named CHAU Heung was very attractive. Pak-Fu was attracted by CHAU Heung and tried every opportunity to get near her, and caused a lot of laughter. HE even followed CHAU Heung to Han-Chow. The Prime Minister needs a library mate urgently. Pak-Fu takes this opportunity to apply for it and was accepted. He tried to date CHAU Heung when she brings snacks to the library one day. She rebuked him for giving up his future prospects. The three friends of Pak-Fu discover that Pak-Fu had disappeared. They soon find out his whereabout. With the help of the 2nd daughter-in-law of the Prime Minister, a cousin of Pak-Fu...... the two lovers eventually get married.

shaw production

A Cantonese musical comedy.

A Cantonese musical comedy.

A ghost teaches a poor shopkeeper medicine, leading to tragedy.

Wu Te-chuan is a young man trying to make a living in an easy way. But now he is penniless and will being thrown out of his Macau hotel. Kind- hearted hotel maid Hsiao Yen is the only one to help him in the world. One day, Wu plays a trick on the hotel owner. The scheme backfires and Wu has to flee to Hong Kong. Wu saves desperate painter Hsin. He convinces Hsin that his painting will sell if he is dead. After Hsin pretend to be dead, his paintings really can be sold well, but backfires finally. Then, Wu and Hsin team up and engage themselves full time in con games, gambling and sex inclusive. Finally, Wu is being chased by the ring enforcers but is saved. Finding himself in love with Hsiao Yen, Wu decides to turn a new leaf and live properly ever after.

shaw production

This documentary tells the story of Bruce Lee and his unsuccessful efforts to start a acting career in the U.S., he returned to Hong Kong where he became an international star, and his death at age 32.

The beautiful Ching Li works for her father's stocking company while treacherously becoming the secretary to her father's competitor Li Tzu-yang. They fall in love as she teaches him new meanings to the words "mannequins" and "hosiery".

A Time For Love features Shaw Brothers' darling Lily Ho in a Romeo and Juliet stylized love story that breaks the tradition of Hong Kong's "class distinction" love stories. It is a film ending with a Cinderella-esque love saving happiness happy ever other ending.

Hong Kong comedy film.

This is a Cantonese musical from director Wong Yiu

Bat Girl (Josephine Siao) returns from Singapore to Hong Kong as the singer Barbara to investigate her dad, a trapeze artist’s death. She is orphaned. She stays with her aunt. Her cousin is Sze Wai (Lui Kei), a pulp fiction writer of the superhero, Bat Girl. Encountering injustice, Bat Girl confronts Sze to interrogate about the whereabouts of Wu Wan-Lung (Sek Kin). Bat Girl unites with her friend, Chan Kwong-ying (Lydia Shum). Sze tracks down Bat Girl and is involved in a fight with Lung's marksmen in a nightclub. A private detective, James Bond (Cheng Kwun-Min) helps Lung find Bat Girl to no avail, as she appears in guises. Bat Girl eavesdrops on Lung and realises he was her father's murderer. She revenges on Lung, and a strange female creature (Yung Yuk-yi) appears as the Lung's house's owner. The creature finds that Bat Girl is her daughter. She wrestles with Lung and they are both burnt to death. At last, Sze finds out that his cousin is Bat Girl and they begin a romance.

Ghost-faced To is murdered in a mortuary after paying a visit to Muk Lan-fa. A set of teeth is found missing from another dead body. Lan-fa’s sister Sau-chen follows the leads on a business card To left behind to a dental clinic which suddenly bursts into flame. The news of her sister’s abduction by the infamous Japanese criminal Katsu Saburo soon reaches Lan-fa. Working together with her police friend Ko Cheung to crack the case, Lan-fa analyses photo evidences in minute detail. The duo order the retrieval of a pole that has survived the explosion intact while lying in wait at the clinic. Sau-chen, who has escaped, saves the duo from the chiller where they are detained. Inspector Yeung retrieves the operation plan concealed in the pole and the secret codes in the set of teeth, but the spook is shot dead by Katsu before he could reach the Hell’s Gate and the treasure buried there. Constable Kwan, and others and wipes out the gang at the Hell’s Gate.

Banker Fung Yan-tsang is a seasoned criminal in fraudulent activities. The righteous cat burglar Ham Siu-fo has issued a deadline for Fung to return the scammed money. Despite the obstacles put up by Fung's allies Chow Wai-pak and his stepwife Julie, Ham still manages to reclaim the money which is accordingly returned to the customers. In the process, Ham is reunited with her long-lost twin sister Katherine, Chow's daughter. Since losing her mother whose health took a turn for the worse after Chow's marriage to Julie, Ham has undertaken a chivalrous course in the footsteps of her aunt. She thwarts the scam marriage set up by Fung for Katherine and his idle son, using the servant Chu Yat-keung as bait, and exposes Fung's illicit affair with Julie. Crossing boundaries of class and wealth, the servant Chu and Katherine become man and wife. A happy Ham leaves, continuing to devote her life to the causes of social justice.

Director Wong Yiu, recognising the spending power of a new demographic, was looking to create a teenage sensation for the factory girls. It soon became a social phenomenon in the 1960s. Former child star Connie Chan Po-chu fitted the bill perfectly with her doe-eyed innocence framed by silky long hair. In Girls are Flowers, she plays a young tutor falling in love with a handsome boy. However, their road to romance is paved with potholes and speed bumps. Chan's fellow former child star Nancy Sit plays the boy's younger sister who saves the day with her shrewd, nimble-minded plans. Sit's role may be small but with radiance from her glorious smile and beaming personality, she brightens up this musical romantic comedy like a fairy-tale nymph.

Hong Kong ghost story.

In 1966, Connie Chan Po-chu and Josephine Siao Fong-fong starred in multiple contemporary films, cementing their onscreen persona as virtuous young women while becoming the hottest youth idols of their time. Colourful Youth remains the only contemporary film to feature both of them. Filmed in Eastmancolor, the song-and-dance spectacle keeps its fingers on the pulse of its era and presents the vigour of the modern times.

The third live action Old Master Q movie depicts drama and hilarity between a young couple during their hardships.

The first appearance of the comic character Old Master Q and friends.

Dirt-poor painter But Ka-sing lives under the same roof with Tang Chan-sin and Lee Tai-hak. Smitten with Tse Mei-chen, the penniless suitor resorts to staging a suicide and makes a fortune of his paintings which are sold at sky-high prices after his feigned death. Reinventing himself as a doctor, But competes with the rich heir Fung Chak-chak to win Tse's heart with an avalanche of gifts and money. However, Tse rejects the suit of the philistine. But gives up his windfall and tells the truth at his memorial exhibition. Thrilled, Tse pledges her love and marries the painter, for better and for worse.

The Diary of a Husband serves as an illustration for the arrival of the white-collar economy, in which the extended family is replaced by the smaller nuclear family. It is a story about four pals who work at the same office, which, like other white-collar workplaces, has become the men's primary site of life, where livings are made and friendships fostered. Meanwhile, their wives have fostered something of their own—a brigade to catch cheating husbands. Much comedy is then generated by the cat-and-mouse game between the men and the women...The battle line drawn here between the sexes remains for years, to the extent that this very same story has been retold many times in Hong Kong films, including Men Suddenly in Black, the 2003 Pang Ho-cheung film with a similar Chinese title.

Yuk Yin's father dies and her mother remarries to settle the debts. Yuk Yin lives with Auntie Wong. From then on, Chi Hung, Auntie Wong's son and Yuk Yin live and play together. But the Wongs move away. Yuk Yin stays with her mother. Her stepfather is mercenary. When Yuk Yin grows up, he pushes her to get married to get money. Considering her daughter's future, Yuk Yin's mother sends her away. Yuk Yin works in a restaurant. When she learns that her mother is ill, she marries a dying rich young man to get money for her mother's treatment. After her mother's death, Yuk Yin gets married immediately, but her husband dies on the wedding night. Her mother-in-law sees this as unauspicious and expels Yuk Yin. Later, Yuk Yin chances upon Chi Hung. They are still in love. They married and have a son Kwok Wah. But Chi Hung dies. Yuk Yin works as a dance girl to support their living. Kwok Wah grows up and cannot accept his mother's job. But soon he understands that she is respectable.

Sit Muk-fu covets the beauty of the maidservant Ku Kar-lin. Ku concocts a scheme with her husband Wong Hoi to swindle money out of the lascivious man and has to flee into hiding with Sit being stabbed to death during their secret liaison. Detector Lui Hak investigates into the murder at Ku's house and arrests the husband who has a sharp knife in his possession. Bearing witness to the murder, their daughter Bo-bo fights to prove her father's innocence. Upon receiving a score of mysterious phone calls revealing Ku's whereabouts, Lui lures the woman out with Bo-bo as bait, subduing and detaining the suspect. The detective fathoms the mystery of the murder case which leads him to another suspect, But Kei. But has been extorting money from Sit and forces his daughter, the sole heir to his inheritance, into marriage in return for concealing his murder-for-money scheme. But submits to arrest without resistance while Ku and husband walk free, acquitted of the charges.

Hong Kong horror.

60s shaw crime film

Fat Kau (Leung Sing-por) and his wife (Ma Siu-ying) are not on the best terms with their fierce daughter-in-law Tang (Tam Lan-hing). It is their secret wish that their grandson Kim-kwong (Yam Kim-fai) would marry an ill-tempered woman—it would be, Kau and Lee think, poetic justice for Tang to have a taste of her own medicine. But to their disappointment, the granddaughter-in-law Yu-chu (Law Yim-hing) turns out to be meek and understanding. Kau and his wife therefore tricks Yu-chu into starting a quarrel with Tang. Rich in intricate details of everyday life, the film depicts a witty battle between vivid characters, and is a comedic portrayal of the relationship between mother and daughter-in-law through three generations.

The Talking Bird (能言鳥) is a 1959 Hong Kong musical fantasy film directed by Bong Luk. The film was produced by Shaw Brothers and is based on the screenplay by Tin Chi Ng.

Mr Wong leaves the countryside and goes to the city with his wife and daughter to inherit a great fortune from his late uncle, unaware that a bunch of criminals are planning to honeytrap him.

Following the success of Two Fools in Hell (1958) and Two Fools in Paradise (1958), Sun Ma Si-tsang and Tang Kei-chen team up for the third film in the series. The two fools have finally finished school, but their road to steady employment is fraught with obstacles. Things get worse when their troubled former classmate sets the two heroes up for murder. A spirited take on The Man Who Knew Too Much (1956), the film even includes a cover of Que Sera, Sera as the theme song against hoodlums.

The film commences with Ching (Tang Bik-wan) lamenting over her bleak life through singing: her mother died early and her stepmother (Lam Mui-mui) is wicked. The song precedes her appearance in the house while the cinematography helps to tug at the emotional heartstrings. Because of her debt-ridden father, Ching is forced by the stepmother to marry an old invalid. To prevent the marriage, Ching's lover Ho (Chan Kam-tong) raises money by agreeing to marry his own cousin (Fung Wong Nui). Ching's life is doomed, yet, when the stepmother absconds with the money. With all her hopes dashed to the ground, Ching decides to opt out of marriage for life. However, witnessing her 'self-combed' sworn sisters being bullied even to the point of committing suicide further devastates her. This tragic heroine comes to life through Tang's masterful performance both as a singer and an actor. The climatic and tear-jerking scene of Ching dying is definitely a highlight of the film.

The sophistication of 1950s Hong Kong cinema is vividly illustrated in this film of limited budget and resources. Cantonese opera star Sun Ma Si-tsang plays a country boy who looks exactly like Sun Ma and is asked by a rich girl to impersonate the star, to help her stage an opera. The self-reflexive humour generated by the absurd situation not only provides delicious parody of celebrity culture but also comments subtly on class inequality and the perils of urbanisation. Sun Ma, who also appears as himself in a stage performance, is complemented beautifully by the brilliant comedian Yee Chau-shui as his sidekick and Hung Sin Nui, another opera superstar, as the spoiled and precocious rich girl.

Yung (Ng Cho-fan) is an upper-class kid who has fallen from grace. He forms a warped relationship with a rich widow (Pak Yin), only to meet again his wife (Siu Yin Fei) with whom he’s lost touch during the war. The fateful affair eventually opens up a Pandora’s box, turning jealousy, betrayal and selfishness into fatal outcomes.

It was assisted by the Qing army and some traitors (Fan Cheng-En), who captured Guangzhou and massacred the civilians for three days until Sun Yat-Sen established the Republic of China and Chiang Kai-Shek succeeded in the Northern Expedition.