Maranhão
The story of William da Silva Lima, the last survivor of the group that founded the Comando Vermelho at the end of the 1970s. It shows him living together with the political prisoners incurred under the same National Security Law and his leadership in the Ilha Grande Prison creating a type of unheard of conduct and solidarity in the Brazilian prisons. The film goes on to tell of the group's actions on the streets of Rio de Janeiro during the beginning of the 80s when they irritated the police with their daring robberies, as well as portraying the surprising love story between William and Tereza. The narrative weaves its way between the intimate conflict and the spectacular assaults and escapes.
Tonelada
Reunited for their mother’s funeral, four sisters – Selma, Regina, Laura and Lúcia – find themselves forced to divide much more than a spacious apartment in Copacabana. While dividing the articles – from the apartment’s sale to splitting a toy tea set – the sisters compare options, destinies, lifestyles, expectations. The divergences are inevitable, because they’ve followed very different tracks. The turbulent sale of the apartment represents a turning point in their lives: they know they have never been so deeply involved as accomplices, or as sisters.
