Edward Yang

Squidward Tentacles gets a call from his wealthy former high school classmate and rival, Squilliam Fancyson, who has succeeded in everything in which Squidward has failed, including music. Squilliam reveals to Squidward that he has become the leader of a band scheduled to play at a venue called the Bubble Bowl, but he will be busy at that time and so cannot attend. Squilliam derisively suggests that Squidward's band should substitute for his at the Bubble Bowl, correctly believing that Squidward does not have one. However, to impress Squilliam, Squidward defiantly insists that he has a band and accepts the challenge. He assembles a large marching band composed of various Bikini Bottom residents, including SpongeBob, Patrick, Sandy, Mrs. Puff, Larry, Plankton, and Mr. Krabs

A professional hit-man is hired to take out a target -- however, his girlfriend’s pregnancy gives him second thoughts. He decides that after this job, he will renounce his profession and turn himself in. This is the first feature film from Taiwanese director Alex Yang, who participated in script-writing and production on Edward Yang's early films. "The Trigger" has echoes of Yang's "Mahjong." The actors in the film, except for veteran Ngai Man-Yin, are all new faces -- unfortunately, Ngai's death in 2005 also made "The Trigger" his last appearance on screen.

Of the many unrealized projects Yang developed in the wake of Yi Yi, the one that came the closest to fruition was an ambitious animated martial arts movie inspired by his lifelong love of graphic novels and his friendship with Jackie Chan. Though production on The Wind was halted after Yang’s death, this brief assembly of completed scenes offers a glimpse of what might have been. Courtesy of the Taiwan Film and Audiovisual Institute. - Film at Lincoln Center

8歳のヤンヤンは、祖母と両親と姉と台北のマンションで暮している。しかし、祖母が脳卒中で倒れ昏睡状態に陥ったのを機に家族の空気が変わり始める。看病に疲れた母は家を出、偶然昔の恋人と再会した父は過去を思い出し、姉は恋に思い煩う。そんな家族の姿をヤンヤンは冷静に見守り…。

8歳のヤンヤンは、祖母と両親と姉と台北のマンションで暮している。しかし、祖母が脳卒中で倒れ昏睡状態に陥ったのを機に家族の空気が変わり始める。看病に疲れた母は家を出、偶然昔の恋人と再会した父は過去を思い出し、姉は恋に思い煩う。そんな家族の姿をヤンヤンは冷静に見守り…。

8歳のヤンヤンは、祖母と両親と姉と台北のマンションで暮している。しかし、祖母が脳卒中で倒れ昏睡状態に陥ったのを機に家族の空気が変わり始める。看病に疲れた母は家を出、偶然昔の恋人と再会した父は過去を思い出し、姉は恋に思い煩う。そんな家族の姿をヤンヤンは冷静に見守り…。

This highly personal film essay demonstrates that Chinese cinema has dealt with questions of gender and sexuality more frankly and provocatively than any other national cinema. Yang ± Yin examines male bonding and phallic imagery in the swordplay and kung fu movies of the '60s and '70s; homosexuality; same-sex bonding and physical intimacy; the continuing emphasis on women's grievances in melodramas; and the phenomenon of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.

Only the lack of roses in every frame prevent this teen romance from being a live action Shojo Manga.

Winston Chen, a prominent businessman, goes missing after racking up $100 million in debts to the Taipei underworld. Two enforcers sent to find him, and they track down his son, Red Fish, the leader of a street gang.

Winston Chen, a prominent businessman, goes missing after racking up $100 million in debts to the Taipei underworld. Two enforcers sent to find him, and they track down his son, Red Fish, the leader of a street gang.

After firing a colleague, the head of a PR company begins to question her lifestyle and values.

After firing a colleague, the head of a PR company begins to question her lifestyle and values.

From the 1980s to the 1990s, New Taiwanese Cinema gained international attention for adopting a completely different approach to that of the commercial films which had preceded it. This piece contrasts Hou Hsiao-hsien and Edward Yang, two rivals who were the driving force behind New Taiwanese Cinema. The closing of a cinema invites us to reflect on society and the passage of history.

Filmed performance of Yang's one-act two-character play which shifts back and forth from comedy to much darker tones as a married couple try to figure out what to do with the body of a man the wife has killed in their kitchen.

Filmed performance of Yang's one-act two-character play which shifts back and forth from comedy to much darker tones as a married couple try to figure out what to do with the body of a man the wife has killed in their kitchen.

大陸からの移住組の一家がこうむる圧力は、さらに露骨なものとなって少年スーを巻き込んでいく。彼の恋した少女ミンは、彼らのボスの情婦という噂がある。そのボスは、敵グループのボスと一騎討ちの最中、車にはねられて死んでしまう。やがてスーはミンとの交際を注意され、怒って中学を退学する。だがミンは、スーの親友で軍人の息子マーと付き合いはじめていた……。

大陸からの移住組の一家がこうむる圧力は、さらに露骨なものとなって少年スーを巻き込んでいく。彼の恋した少女ミンは、彼らのボスの情婦という噂がある。そのボスは、敵グループのボスと一騎討ちの最中、車にはねられて死んでしまう。やがてスーはミンとの交際を注意され、怒って中学を退学する。だがミンは、スーの親友で軍人の息子マーと付き合いはじめていた……。

大陸からの移住組の一家がこうむる圧力は、さらに露骨なものとなって少年スーを巻き込んでいく。彼の恋した少女ミンは、彼らのボスの情婦という噂がある。そのボスは、敵グループのボスと一騎討ちの最中、車にはねられて死んでしまう。やがてスーはミンとの交際を注意され、怒って中学を退学する。だがミンは、スーの親友で軍人の息子マーと付き合いはじめていた……。

大陸からの移住組の一家がこうむる圧力は、さらに露骨なものとなって少年スーを巻き込んでいく。彼の恋した少女ミンは、彼らのボスの情婦という噂がある。そのボスは、敵グループのボスと一騎討ちの最中、車にはねられて死んでしまう。やがてスーはミンとの交際を注意され、怒って中学を退学する。だがミンは、スーの親友で軍人の息子マーと付き合いはじめていた……。

台北を舞台に、カメラマンとその恋人、小説家の妻と医師の夫、その元恋人、不良少女、刑事…様々な人物が幾重にも錯綜し現代の台湾が抱える問題を浮き彫りにしていく。

台北を舞台に、カメラマンとその恋人、小説家の妻と医師の夫、その元恋人、不良少女、刑事…様々な人物が幾重にも錯綜し現代の台湾が抱える問題を浮き彫りにしていく。

A young woman urgently seeks to navigate the maze of contemporary Taipei and find a future. She hopes that her boyfriend Lung is the key to the future, but Lung is stuck in a past that combines baseball and traditional loyalty that leads him to squander his nest egg bailing her father out of financial trouble.

A young woman urgently seeks to navigate the maze of contemporary Taipei and find a future. She hopes that her boyfriend Lung is the key to the future, but Lung is stuck in a past that combines baseball and traditional loyalty that leads him to squander his nest egg bailing her father out of financial trouble.

A young woman urgently seeks to navigate the maze of contemporary Taipei and find a future. She hopes that her boyfriend Lung is the key to the future, but Lung is stuck in a past that combines baseball and traditional loyalty that leads him to squander his nest egg bailing her father out of financial trouble.

A coming-of-age story about a young brother and sister whom spend a pivotal summer in the country with their grandparents.

A coming-of-age story about a young brother and sister whom spend a pivotal summer in the country with their grandparents.

Two friends who haven't seen each other for thirteen years reunite. One is a successful concert pianist just back from a European tour and the other has just started a new business.

Two friends who haven't seen each other for thirteen years reunite. One is a successful concert pianist just back from a European tour and the other has just started a new business.

Tsui Hark stars as Chinese artist and Buddhist monk Li Shutong, a.k.a. Master Hong Yi. Li travels to Japan to study Western artistic practices, and revolutionizes the teaching of art in China upon his return. Set during the turbulent era of the Russo-Japanese War circa 1905.

Tsui Hark stars as Chinese artist and Buddhist monk Li Shutong, a.k.a. Master Hong Yi. Li travels to Japan to study Western artistic practices, and revolutionizes the teaching of art in China upon his return. Set during the turbulent era of the Russo-Japanese War circa 1905.

Four vignettes, each set in different decades from the 1950s through the 1980s, deal with protagonists at different stages of life between childhood and young adulthood.

Four vignettes, each set in different decades from the 1950s through the 1980s, deal with protagonists at different stages of life between childhood and young adulthood.

The tale of a country girl who comes to Taipei with dreams of entering the entertainment industry. A 2-part TV movie and part of groundbreaking series "Eleven Women," this is Edward Yang's directorial debut.

The tale of a country girl who comes to Taipei with dreams of entering the entertainment industry. A 2-part TV movie and part of groundbreaking series "Eleven Women," this is Edward Yang's directorial debut.

The tale of a country girl who comes to Taipei with dreams of entering the entertainment industry. A 2-part TV movie and part of groundbreaking series "Eleven Women," this is Edward Yang's directorial debut.