Guillaume Mazloum

Pinky is on the run. At night the empty streets smell of the apocalypse and the city seems to be on fire. Narcotics swirl through the veins and the air. Having freed himself from the clutches of a sect led by a certain “padre” and determined to take his fate into his own hands, he is now holed up in an illegal T-shirt factory, surrounded by paints, slogans and heat presses. Pinky is looking for the light at the end of the tunnel, but ghosts are breathing down his neck. He is running for his life, and Colombia is on fire. But Colombia is alive.

Accumulation of worried images, which were meticulously manipulated. These strange views are accompanied by joyful vestiges, some words gleaned from renowned or dark poets, sometimes even from the enraged walls of the city. These proud gleams, these removable faces, these moving bodies become the elements of a research about vision and gaze, the protagonists of a nascent dialog, the traces of times and places that we still have to observe.

In A Great Noise, Guillaume Mazloum voices words by poets who crossed a century of horror and hope.

To keep the promise she made to her dying mother, a young woman sets off to find her father, a fickle man she has never known. On the way, she discovers he is in fact dead, but, driven by the bewitching rhythms of the Maloya, a Reunion Island ritual singing and musical tradition, she does not abandon her goal: she must find her father.

"Fractions" is a film in seven parts. Seven sequences, each with a pattern and a reference to a text of political nature, to create a space for reflection on the scope and responsibility of these images.

Fractions is a films series in seven sequences, each with a pattern and a reference to a text of a political nature, to create a space for reflection on the scope and responsibility of these images.