Adela Gáborová

出生 : 1940-03-02,

死亡 : 2007-07-12

参加作品

O krásnej strige
Štefanova mať
Pod vládou ženy aj na svitaní
Zlý žart
Najdúch
Tenderness
Matka
A wonderful dark tale of coming of age in a country in transformation - then Czechoslovakia (now Slovakia) in 1990s. Against the backdrop of a regime change and general crisis of basic values, a young man is finding his way into adult life. Playing a part in a love (hate?) triangle he does not fully understand until the conclusion, he desperately tries to make sense of the unpredictable behavior of the other two main characters which is linked to the secrets lurking in their past. All this while he is not sure about his own role in a world where yesterday's truths mean nothing today. Brilliant actors in a brilliant film that even gives you a glimpse of hope at the end.
Mário, zapískaj...!
Zlodarov les
Rentabilita
Prstienky z kukučiny
The Apricot Jam
Roza
Television adaptation of F. Kárinthyho's story about how important it is to have a sense of home. The apricot jam symbolizes the home, family well-being, which the little boy Ferko, living with his parents in a Hungarian town of the 30's of the 20th century, desperately hopes for. A mother with an unfulfilled desire to become a famous pianist and a father with an even more distant dream to be a world-famous and wealthy writer to a son have no time or even a loving word. His loving companion is only Manci, who, however, leaves for misunderstanding with his lords. Ferko remains alone, disappointed and reluctant to accept the friendship of a new maid of Rózy. But he also has his great dream, and Róza will help him meet him.
Tvár v rose
Koník z ebenu
Gottšalk
Dve balady
Návrat
Rodinná anamnéza
Múdra Gabriela
Výlet do mladosti
Dievčatko z predmestia
Krásna múdrosť
Dve duše
Byt
Our Daily Life
This is a reconstruction of the daily life of an ordinary family. With kindness and gentle humour, the film reveals the relationship between the older and the younger generation. The original concept of a short film study with authentic characters of the Ravager family grew into a feature-length picture on the border between a documentary and fiction. It was made as an improvisation without a previously approved screenplay in the course of only twenty days.