Hannu Peltomaa

出生 : 1941-04-17, Toholampi, Finland

参加作品

Out of the Shadow
Director
The film is a follow-up documentary to the film Rantannen miehet, which won the top prize at the 1971 Tampere Film Festival. there's always hope is kale's story. He is one of the few to have emerged from ”the beaches.” Through Kale, the film tells the story of how to break free from addictions and go on living a normal life.
Raptori Moe!
Editor
Raptori Moe!
Director
Kumma juttu
Director
A group of kids goes on an adventure to help their scientist friend
Rusinoita
Pässi (voice)
Meet the Feebles for kids.
Rusinoita
Editor
Meet the Feebles for kids.
Rusinoita
Director
Meet the Feebles for kids.
Taikapeli
Producer
A child acquires a magical video game that he uses to influence the world around him
Taikapeli
Editor
A child acquires a magical video game that he uses to influence the world around him
Taikapeli
Screenplay
A child acquires a magical video game that he uses to influence the world around him
Taikapeli
Director
A child acquires a magical video game that he uses to influence the world around him
People Not as Bad as They Seem
Cinematography
The film follows a boy and the relationship between his birth mother and step mother. Based on the novels by Aapeli.
The Earth Is a Sinful Song
Director of Photography
An earthy, naturalistically erotic and blood-soaked tale of young Martta's ill-fated affair with Oula, a womanizing reindeer herdsman in the Finnish Lapland of the late 1940s. When the 19-year-old girl turns up pregnant, her alcoholic father is outraged and a series of tragic events follows
The Shadow of a City
Producer
The degenerate alcoholics, the men and women of the beaches, themselves speak openly about their lives and problems. Through their stories, a picture emerges of those on the periphery of society who succumbed to alcohol because of war or difficult living conditions. They are aware of their own State; reason is still there, but the Will is lacking. The film is a cry for help on behalf of humans, it is a dispassionate and honest description of the position of degenerate alcoholics in Finnish society in the early 1970s.
The Shadow of a City
Editor
The degenerate alcoholics, the men and women of the beaches, themselves speak openly about their lives and problems. Through their stories, a picture emerges of those on the periphery of society who succumbed to alcohol because of war or difficult living conditions. They are aware of their own State; reason is still there, but the Will is lacking. The film is a cry for help on behalf of humans, it is a dispassionate and honest description of the position of degenerate alcoholics in Finnish society in the early 1970s.
The Shadow of a City
Writer
The degenerate alcoholics, the men and women of the beaches, themselves speak openly about their lives and problems. Through their stories, a picture emerges of those on the periphery of society who succumbed to alcohol because of war or difficult living conditions. They are aware of their own State; reason is still there, but the Will is lacking. The film is a cry for help on behalf of humans, it is a dispassionate and honest description of the position of degenerate alcoholics in Finnish society in the early 1970s.
The Shadow of a City
Director
The degenerate alcoholics, the men and women of the beaches, themselves speak openly about their lives and problems. Through their stories, a picture emerges of those on the periphery of society who succumbed to alcohol because of war or difficult living conditions. They are aware of their own State; reason is still there, but the Will is lacking. The film is a cry for help on behalf of humans, it is a dispassionate and honest description of the position of degenerate alcoholics in Finnish society in the early 1970s.
Muurahaispolku
Director of Photography