Nathan M. Miller

参加作品

Biosphere
Director of Photography
In the not-too-distant future, the last two men on earth must adapt and evolve to save humanity.
New Queer Visions: Seeing is Believing
Director
In a world where men hide their true love and feelings, where a mother turns a blind eye to her son's identity, and where religion dictates that a man may only lie with a woman — is everything we see truly what it seems to be? The latest release from New Queer Visions takes a look at representations of boys and men, how desires are hidden from those around them, and how self-belief conquers doubt. The short films are: Adult (2017); Hello, Stranger [Dag vreemde man] (2016); Little Potato (2017); Juan Gabriel is Dead [Se murió Juan Gabriel] (2018); The Guest [Le convive] (2017); Contestant #4 (2016).
Paddleton
Director of Photography
An unlikely friendship between two neighbors becomes an unexpectedly emotional journey when the younger man is diagnosed with terminal cancer.
Outside In
Director of Photography
An ex-con struggling to readjust to life in his small town forms an intense bond with his former high-school teacher.
Take Me
Director of Photography
Ray is a fledgling entrepreneur who specializes in high-end simulated abductions. He jumps at the chance when a mysterious client contracts him for a weekend kidnapping with a handsome payday at the end. But the job isn't all that it seems.
Auto
Director of Photography
Little Potato
Director of Photography
Wes Hurley's autobiographical tale of growing up gay in Soviet Union Russia, only to escape with his mother, a mail order bride, to Seattle to face a whole new oppression in his new Christian fundamentalist American dad.
Little Potato
Producer
Wes Hurley's autobiographical tale of growing up gay in Soviet Union Russia, only to escape with his mother, a mail order bride, to Seattle to face a whole new oppression in his new Christian fundamentalist American dad.
Little Potato
Director
Wes Hurley's autobiographical tale of growing up gay in Soviet Union Russia, only to escape with his mother, a mail order bride, to Seattle to face a whole new oppression in his new Christian fundamentalist American dad.
Uncle Kent 2
Director of Photography
In a desperate search to create a follow-up to Joe Swanberg's 2011 film Uncle Kent, Kent Osborne travels to a comic book convention in San Diego where he loses his mind and confronts the end of the world.
Rainbow Time
Associate Producer
Todd grew up under the strange shadow of his older mentally challenged brother Shonzi. As kids, Shonzi forced Todd to make action movies. As adults he pressures him to share love life details, even showing Shonzi a sex tape he made with an old girlfriend to help him cope when family tragedy hits. When their dad suffers a heart attack, Shonzi (now 40, and still a virgin) moves in with Todd and his new girlfriend Lindsay. Shonzi wants desperately to be included in their relationship like old times. When Shonzi’s begging become threats to reveal secrets from their past, Todd must find the courage to be honest with Lindsay, even if it means the end of their relationship.
Rainbow Time
Director of Photography
Todd grew up under the strange shadow of his older mentally challenged brother Shonzi. As kids, Shonzi forced Todd to make action movies. As adults he pressures him to share love life details, even showing Shonzi a sex tape he made with an old girlfriend to help him cope when family tragedy hits. When their dad suffers a heart attack, Shonzi (now 40, and still a virgin) moves in with Todd and his new girlfriend Lindsay. Shonzi wants desperately to be included in their relationship like old times. When Shonzi’s begging become threats to reveal secrets from their past, Todd must find the courage to be honest with Lindsay, even if it means the end of their relationship.
Lamb
Director of Photography
Lamb, based on the novel by Bonnie Nadzam, traces the self-discovery of David Lamb in the weeks following the disintegration of his marriage and the death of his father. Hoping to regain some faith in his own goodness, he turns his attention to Tommie, an awkward and unpopular eleven-year-old girl. Lamb is convinced that he can help her avoid a destiny of apathy and emptiness, and takes Tommie for a road trip from Chicago to the Rockies, planning to initiate her into the beauty of the mountain wilderness. The journey shakes them in ways neither expects.
Your Sister's Sister
Photography Studio Crew
Iris invites her friend Jack to stay at her family's island getaway after the death of his brother. At their remote cabin, Jack's drunken encounter with Hannah, Iris' sister, kicks off a revealing stretch of days.
Humpday
Camera Operator
Imagine your life is somewhat complete with a house, job, and wife but then your best friend from college comes knocking at your door at 2 AM. During a pot-induced hedonistic party, a plan is hatched between the two friends to create an Art Film of “two really straight men having sex.” If they only knew how much this would affect all of their lives.
Humpday
Grip
Imagine your life is somewhat complete with a house, job, and wife but then your best friend from college comes knocking at your door at 2 AM. During a pot-induced hedonistic party, a plan is hatched between the two friends to create an Art Film of “two really straight men having sex.” If they only knew how much this would affect all of their lives.
Humpday
First Assistant Camera
Imagine your life is somewhat complete with a house, job, and wife but then your best friend from college comes knocking at your door at 2 AM. During a pot-induced hedonistic party, a plan is hatched between the two friends to create an Art Film of “two really straight men having sex.” If they only knew how much this would affect all of their lives.
My Effortless Brilliance
Camera Operator
Lynn Shelton's "My Effortless Brilliance" is a study in the relationship between cocky, fussy, thoroughly-city-mouse author Eric (Sean Nelson) and his ex-best-friend, the tersely powerful journalist and wood-chopper Dylan (Basil Harris). Dylan, fed up with Eric's self-involved antics, dumps him and disappears to live in a log cabin in the woods of Eastern Washington; two years later, Eric arrives (sporting a Prius, white sneakers, and a fear of spiders) to mend the friendship.