Simone Zampagni

参加作品

Martedì e venerdì
Director of Photography
Buon compleanno Massimo
Director of Photography
Napoli, l'aldilà di tutto
Director of Photography
Leonora addio
Director of Photography
A tale of three surreal Pirandello funerals intertwined with the murder of a young Sicilian immigrant boy in Brooklyn for what is described as a surreal, grotesque, complex narrative.
Ghiaccio
Director of Photography
Giorgio is a young talented boxer who lives with his mother and dreams to became a champion.
Quasi ora
Director of Photography
An Italian middle-class family, during lunch, talks about the problems that afflict our nation.
Cobra non è
Director of Photography
A crime comedy about the crazy night of a rapper and his manager
Until Judge Do Us Part
Director of Photography
Odio l'estate
Cinematography
La mia idea di arte
Director of Photography
Rainbow: A Private Affair
Director of Photography
Summer 1943, Piedmont, Italy. Milton loves Fulvia who plays with his love: she only likes the depth of his thought and the letters he writes to her. One year later, Milton has joined the Resistance and fights beside other partisans. He learns during a conversation that Fulvia was secretly in love with his best friend Giorgio, a partisan like him. Milton decides to go find Giorgio in the Langhe region of Italy with all its misty hills...But Giorgio has just been arrested by the Fascists.
Acqua di marzo
Director of Photography
Nomi e cognomi
Director of Photography
Nomi e cognomi
Cinematography
Soldato semplice
Director of Photography
素晴らしきボッカッチョ
Director of Photography
It's 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied - tragic, bizarre, funny or erotic - but common and central to all of them is the female presence.
Come Into the Light
First Assistant Camera
In 1990s Palermo, Pino Puglisi is a priest from the neglected Brancaccio neighborhood dedicated in helping kids to get off the streets and creating an embracing place of hope and solidarity in his church, which means trouble for the local Mafia. He continues his solitary fight until the bitter end.
Volesse il cielo!
Assistant Camera
A police inspector has to help an eccentric stranger who seems to have lost his memory.