Don Amis

Filmmaker Don Amis was one of the very few Black student filmmakers at UCLA (including Carroll Parrott Blue and Denise Bean) working in a documentary mode. In this film, preparations, parade and performances from the Craft and Folk Art Museum’s annual Festival of Mask illustrate L.A.’s diverse racial and ethnic communities (African, Asian, Latin American) expressing themselves through a shared traditional form.

Filmed in response to the LAPD’s shooting of Eulia Love in 1979, Gidget Meets Hondo opens with stills taken by Bernard Nicolas of a demonstration against Love’s killing. Nicolas’ Gidget is a self-absorbed young white woman who remains clueless to the violence erupting around her, ultimately to her own peril. The film asks whether such police brutality would be tolerated if the victim were a middle-class white woman.

A woman from Nigeria seeks work in the United States while her daughter struggles with premonitions and homesickness.

Filmmaker Alicia Dhanifu, who appears in director Jamaa Fanaka’s Emma Mae, constructs a rigorous and beautifully rendered history of belly dancing — its roots and history, forms and meanings. The filmmaker performs this art as well, alone and with other dancers. —Shannon Kelley

A day-in-the-life portrait of an Afrocentric primary learning academy located in South L.A. that focuses on the virtues of the three Rs—Respect, Righteousness, and Revolution.

A day-in-the-life portrait of an Afrocentric primary learning academy located in South L.A. that focuses on the virtues of the three Rs—Respect, Righteousness, and Revolution.

A day-in-the-life portrait of an Afrocentric primary learning academy located in South L.A. that focuses on the virtues of the three Rs—Respect, Righteousness, and Revolution.

A day-in-the-life portrait of an Afrocentric primary learning academy located in South L.A. that focuses on the virtues of the three Rs—Respect, Righteousness, and Revolution.