David De Volpi

This film takes viewers through the rich, white majesty of the Inuit Great North. Along with doing justice to the breathtaking and awesome landscape of the freezing, snow-covered environment, Great North also looks into the long-standing traditions, such as fishing and hunting, of the Inuit tribes.

The Colours of My Father: A Portrait of Sam Borenstein is a 1992 short animated documentary directed by Joyce Borenstein about her father, the Canadian painter Sam Borenstein. It was nominated for an Academy Award for Best Documentary Short. In Canada, it was named best short documentary at the 12th Genie Awards.

A busload of women become stranded in an isolated part of the Canadian countryside. As they await rescue, they reflect on their lives through a mostly ad-libbed script.

Donald Marshall is imprisoned for a murder he didn't commit.

Newfoundlanders share their food, culture, and homes with a group of Tamil refugees found off the coast.

At 16, Tony is an English-speaking high-school drop-out in Montreal. In trouble with the law and at odds with his struggling single parent mother, Tony is sent to Juvie where he realizes that he's neither as tough or as disadvantaged as he thought. Then he comes home on a weekend pass only to find his younger brother following in his footsteps.

This movie discusses the growth and discovery of a young girl named Vanessa, as she learns more about her father's side of the family.

In this short film by Norman McLaren, dancers enact the Greek tragedy of Narcissus, the beautiful youth whose excessive self-love condemned him to a trapped existence. Skilfully merging film, dance and music, the film is a compendium of the techniques McLaren acquired over a lifetime of experimentation.

This documentary short is a portrait of Leader of the Progressive Conservative Party and 13th prime minister of Canada, John George Diefenbaker (1895-1979). Diefenbaker's political career spanned 6 decades. When he died in 1979, his state funeral and final train trip west became more a celebration of life than a victory for death.

Kelly is a Métis man without treaty or hunting rights, struggling to sustain his traditional life. His daughter Theresa longs for a red dress from France that she believes will give her power and strength, as the bear claw once did for her great-grandfather Muskwa. When Theresa escapes an assault and Kelly turns his back on his daughter, he realizes that he must reconnect with his culture in order to make things right. Today, the red dress is a powerful symbol recognizing over 1000 missing and murdered Indigenous women in Canada.

A young mother faces hardship in the form of an abusive ex-husband and overzealous social worker.

Edited from almost 100 km of film footage shot during the Games, this feature documentary is a breathtaking portrait of the 1976 Montreal Olympics. Much more than a simple record of the Games, the film approaches each event with the intention of revealing the athlete - whether winner or loser - as a unique individual.

This feature documentary takes a look at how the Halifax/Dartmouth community in Nova Scotia was stimulated by a week-long session held by a panel of specialists from different fields who met with members of this urban community to consider the future of the area and the responsibility of the citizens and government in planning the future.

This feature documentary studies the different faces of Montreal’s Greek community in 1969. Instead of giving voice to the businessmen and well-integrated few, the film highlights the cultural and economic problems encountered by new immigrants and their families.

With no commentary other than the music and words of the performers themselves, this fast-moving film presents the grandest Canadian concert of them all. Here, the performers include both the great and the unknown from across the country, the musical styles span the centuries, and the artists are involved in all stages of musicianship: learning, teaching, conducting, recording, performing. Among the film's many stars are Edith Butler, Beau Dommage, Maureen Forrester, Glenn Gould, Paul Horn, the Huggett Family, and Gilles Vigneault.

Here is what happened in a Toronto classroom when teachers occupied the children's desks and children became the teachers. The film grew out of another, Mrs. Ryan's Drama Class, where young children found their way into creative drama. There is food for thought in this impromptu reversal of roles.

A retrospective look at Fogo Island, Newfoundland, four years after the original Newfoundland Project series was made. This is an assessment of the value of the programs initiated, and an illustration of what film can do to help spark new life in a fading community.