With his own money, Pappier produced this ambitious adaptation of Manuel Gálvez's "Miércoles Santo", whose release was delayed for three years due to political reasons. When it finally came out, it bombed, but its formal originality was mentioned even in unfavorable reviews. Later, it became a cursed film, impossible to see due to lack of prints. To date, it remains lost in great part.
A prostitute persecuted by the police, receives the interested protection of a greedy merchant. He takes refuge in his house one night and meets his nephew, a sensitive boy who wants to be a musician.
The film refers to the "gray neighborhoods", called in Argentina "villas miseria", in which the less qualified workers or those who have recently arrived from the rural areas live in the industrial cordons.
Giácomo is an Italian man in his forties who is single, dedicated to earning money in his business. He strikes up a relationship with a Spanish singer, whose brother encourages her to conquer him to take her money.
Cars and progress made an old carriage-driver jobless and so desperate that he becomes a gangster. When his own son starts a life of crime, he repents and gives himself to the authorities. When he lives prison, he will be happy to rejoin his family, as his son repented, too.
A delinquent, the son of a police commissioner, leaves prison to seduce someone who should be like a sister to him: a girl raised and loved by his parents. To force her to give in to his obsession, he kidnaps her little daughter.
The members of a Buenos Aires family have three hobbies — "berretines" in Buenos Aires slang — that keep them apart of their duties. Because of that, the family business is going down, and the only one who is concerned is the father, who hopes for his fourth son, an architect, to save the situation.
