Sadaf Foroughi

Omid, a teenage athlete who is barred for bureaucratic reasons from a swimming competition; however, as his estranged father has made his consent to a divorce from his mother conditional on Omid's performance in the competition, he begins to train in open-water swimming under the coaching of Mani, with their increasingly close friendship leading to community rumours and allegations they are engaging in a gay sexual relationship with each other.

Omid, a teenage athlete who is barred for bureaucratic reasons from a swimming competition; however, as his estranged father has made his consent to a divorce from his mother conditional on Omid's performance in the competition, he begins to train in open-water swimming under the coaching of Mani, with their increasingly close friendship leading to community rumours and allegations they are engaging in a gay sexual relationship with each other.

Omid, a teenage athlete who is barred for bureaucratic reasons from a swimming competition; however, as his estranged father has made his consent to a divorce from his mother conditional on Omid's performance in the competition, he begins to train in open-water swimming under the coaching of Mani, with their increasingly close friendship leading to community rumours and allegations they are engaging in a gay sexual relationship with each other.

Based on her own adolescent experiences, Sadaf Foroughi’s AVA is a gripping debut about a young girl’s coming-of-age in a strict, traditional society. Living with her well-to-do parents in Tehran, Ava is a bright and focused teen whose concerns — friendships, music, social status, academic performance — resemble that of nearly any teenager. When Ava’s mistrustful and overprotective mother questions her relationship with a boy — going so far as to visit a gynecologist — Ava is overwhelmed by a newfound rage. Formerly a model student, Ava begins to rebel against the strictures imposed by her parents, her school, and the society at large.

Based on her own adolescent experiences, Sadaf Foroughi’s AVA is a gripping debut about a young girl’s coming-of-age in a strict, traditional society. Living with her well-to-do parents in Tehran, Ava is a bright and focused teen whose concerns — friendships, music, social status, academic performance — resemble that of nearly any teenager. When Ava’s mistrustful and overprotective mother questions her relationship with a boy — going so far as to visit a gynecologist — Ava is overwhelmed by a newfound rage. Formerly a model student, Ava begins to rebel against the strictures imposed by her parents, her school, and the society at large.

After finding out that he has no sperm and can't impregnate his wife, an Iranian man suffers an existential crisis.

After finding out that he has no sperm and can't impregnate his wife, an Iranian man suffers an existential crisis.

After finding out that he has no sperm and can't impregnate his wife, an Iranian man suffers an existential crisis.

In the male dominated society of Iran, Farahnaz Shiri, the first female bus driver in Tehran, has made her own little society in her bus. In Iran there are different sections for men and women on public buses. Women should enter buses from the back door, which is separated from men’s entrance, and should sit or stay in a limited zone at the end of the buses which is separated from men’s zone. But in Mrs. Shiri’s bus everything is vice-versa. She is the governor and the only law maker of her own little society. In her bus, men must enter from the backdoor entrance and must sit or stay in the limited zone at the end of the bus. Mrs. Shiri is struggling to prove herself in this society and resisting a series of injustices that she faces as a woman in the Iranian society.

In the male dominated society of Iran, Farahnaz Shiri, the first female bus driver in Tehran, has made her own little society in her bus. In Iran there are different sections for men and women on public buses. Women should enter buses from the back door, which is separated from men’s entrance, and should sit or stay in a limited zone at the end of the buses which is separated from men’s zone. But in Mrs. Shiri’s bus everything is vice-versa. She is the governor and the only law maker of her own little society. In her bus, men must enter from the backdoor entrance and must sit or stay in the limited zone at the end of the bus. Mrs. Shiri is struggling to prove herself in this society and resisting a series of injustices that she faces as a woman in the Iranian society.

In the male dominated society of Iran, Farahnaz Shiri, the first female bus driver in Tehran, has made her own little society in her bus. In Iran there are different sections for men and women on public buses. Women should enter buses from the back door, which is separated from men’s entrance, and should sit or stay in a limited zone at the end of the buses which is separated from men’s zone. But in Mrs. Shiri’s bus everything is vice-versa. She is the governor and the only law maker of her own little society. In her bus, men must enter from the backdoor entrance and must sit or stay in the limited zone at the end of the bus. Mrs. Shiri is struggling to prove herself in this society and resisting a series of injustices that she faces as a woman in the Iranian society.

In the male dominated society of Iran, Farahnaz Shiri, the first female bus driver in Tehran, has made her own little society in her bus. In Iran there are different sections for men and women on public buses. Women should enter buses from the back door, which is separated from men’s entrance, and should sit or stay in a limited zone at the end of the buses which is separated from men’s zone. But in Mrs. Shiri’s bus everything is vice-versa. She is the governor and the only law maker of her own little society. In her bus, men must enter from the backdoor entrance and must sit or stay in the limited zone at the end of the bus. Mrs. Shiri is struggling to prove herself in this society and resisting a series of injustices that she faces as a woman in the Iranian society.

In the male dominated society of Iran, Farahnaz Shiri, the first female bus driver in Tehran, has made her own little society in her bus. In Iran there are different sections for men and women on public buses. Women should enter buses from the back door, which is separated from men’s entrance, and should sit or stay in a limited zone at the end of the buses which is separated from men’s zone. But in Mrs. Shiri’s bus everything is vice-versa. She is the governor and the only law maker of her own little society. In her bus, men must enter from the backdoor entrance and must sit or stay in the limited zone at the end of the bus. Mrs. Shiri is struggling to prove herself in this society and resisting a series of injustices that she faces as a woman in the Iranian society.