Director
Three friends decide to play The Red Book game. What they don't know is that in the house evil is waiting to be released. A long time ago a witch died as part of a satanic ritual. Every question they ask, they get closer and closer to her. The book will reveal the answers to all your questions… but what if your host is an evil entity with a thirst for blood?
Director
A group of friends must confront their fears in a terrifying game. They must sit by the other players in a circle made of a hundred candles, take one of them and tell a horror story. As stories are told and candles blown out, strange events will start to happen. They will feel strange presences around them, lurking in the shadows. But they MUST NOT leave the game or else a terrible curse will fall upon them...
Producer
The film centers on Dr. Marcus, a renowned psychiatrist who has selected 6 severe mentally ill and dangerous patients from the Spring Valley Mental Hospital to interview as part of research for his new book. As Dr. Marcus interviews each patient, one by one the horrors they have committed begin to unfold. However, Dr. Marcus soon learns that there is one patient who ties them all together - Patient Seven.
Writer
The film centers on Dr. Marcus, a renowned psychiatrist who has selected 6 severe mentally ill and dangerous patients from the Spring Valley Mental Hospital to interview as part of research for his new book. As Dr. Marcus interviews each patient, one by one the horrors they have committed begin to unfold. However, Dr. Marcus soon learns that there is one patient who ties them all together - Patient Seven.
Director
The film centers on Dr. Marcus, a renowned psychiatrist who has selected 6 severe mentally ill and dangerous patients from the Spring Valley Mental Hospital to interview as part of research for his new book. As Dr. Marcus interviews each patient, one by one the horrors they have committed begin to unfold. However, Dr. Marcus soon learns that there is one patient who ties them all together - Patient Seven.
Writer
A mother protects her children from a demon inside their home.
Director
A mother protects her children from a demon inside their home.
Writer
Told with animation and live-action, 'Drained' tells the story of how a man's selfish addictions can destroy the woman he cares for.
Director
Told with animation and live-action, 'Drained' tells the story of how a man's selfish addictions can destroy the woman he cares for.
Director
An inventor (Masterson) must protect his inventions from becoming casualties of the Cold War.
Editor
In this stop-action animation, a mournful bride sits alone on her wedding night wringing her hands. The wood floor is unadorned, the organ music sorrowful. The imposing groom enters the room, she shudders, and he strikes her. Later that night, she walks down the grand staircase of this large manor house, past family portraits of past generations: she notices that in each the mum is pale, the father dominant, his hands tight around the shoulders and necks of his children, and the children have no mouths. She turns and runs back to her room to find a way to set free herself and someone else: what is this life-affirming action?
Cinematography
In this stop-action animation, a mournful bride sits alone on her wedding night wringing her hands. The wood floor is unadorned, the organ music sorrowful. The imposing groom enters the room, she shudders, and he strikes her. Later that night, she walks down the grand staircase of this large manor house, past family portraits of past generations: she notices that in each the mum is pale, the father dominant, his hands tight around the shoulders and necks of his children, and the children have no mouths. She turns and runs back to her room to find a way to set free herself and someone else: what is this life-affirming action?
Director
In this stop-action animation, a mournful bride sits alone on her wedding night wringing her hands. The wood floor is unadorned, the organ music sorrowful. The imposing groom enters the room, she shudders, and he strikes her. Later that night, she walks down the grand staircase of this large manor house, past family portraits of past generations: she notices that in each the mum is pale, the father dominant, his hands tight around the shoulders and necks of his children, and the children have no mouths. She turns and runs back to her room to find a way to set free herself and someone else: what is this life-affirming action?
