Bruno Di Virgilio

参加作品

素晴らしきボッカッチョ
Camera Operator
It's 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied - tragic, bizarre, funny or erotic - but common and central to all of them is the female presence.
Luchino Visconti
Cinematography
A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity.
Rossellini Under the Volcano
Cinematography
A documentary about Roberto Rossellini and the making of his 1950 film "Stromboli."
The American Night of Dr. Lucio Fulci
Director of Photography
A testament of the greta B-movie director Lucio Fulci, whose films inspired great director like Quentin Tarantino. Lucio Fulci gift a long meditation about moviemaking fascinating for his sincerity, irony e clearness, about his filmmaking and his particular career.
L'amico immaginario
Cinematography
かぼちゃ大王
Camera Operator
ローマ、サベリ街の総合病院の小児科病棟。13歳の少女ヴァレンティナ、通称ピッピ(アレッシア・フガルディ)は生後3ヶ月で発病し、てんかんと診断された。小児精神科の若き医師アルトゥーロ(セルジョ・カステリットー)は、それが誤診であり、心の病であることを直観的に見抜く。彼は薬物を使わない心理療法で発作の原因を探ろうとし、ピッピとできるだけ長い時間を過ごすようにする。アルトゥーロはやがて、ピッピの苦しみは、愛のない生活を続ける母チンチア(アンナ・ガリエナ)と父マルチェッロ(アルマンド・デ・ラッツァ)の歪んだ関係を全身で感じ取った彼女が、いつしか自分が逃げ込める世界を作り上げてしまい、心の行き場を失った時に“発作”を起こすのだと確信する。ある日、彼は“スヌーピー”の本をおみやげにピッピを訪ねた。アルトゥーロは、彼が子供の頃に愛した挿話を話し、「かぼちゃ大王が夢をかなえてくれると信じて、かぼちゃ畑に座って大王を待っていた」と語る。この日を境に2人の間に温かい友情が育まれていく。
Il cuore e le gambe (Herzog)
Cinematography
The heart of the legs.