George Vivian
"Pep" Pepper, a romantic cowboy whose faculty for dreaming loses him his job, tries to emulate Don Quixote's courage after reading the Spanish classic.
Harold Lawton
The Truth About Wives is a 1923 silent film.
Louis Duclos
In her first leading role, a very young Norma Shearer played Jeanne, a wild girl of the Canadian Northwest who marries and has a child with a mystery man, Oliver Thornton
Andre
God's Country and the Law is a 1921 American silent drama film produced by Pine Tree Pictures and distributed by Arrow Films. It was directed by Sidney Olcott with Fred C. Jones and Gladys Leslie in the leading roles. It was adapted from the 1915 novel God’s Country and the Woman by James Oliver Curwood,which had been previously filmed under that title in 1916.
Roldo
Spaulding Nelson moves into an apartment after his uncle has been driven from it by the sounds of screams and whispers. Upon undertaking an investigation, he meets neighbor Barbara Bradford, whose sister Clara is being tormented by the recurring sounds of her dead husband Roldo's voice.
Aboul Pasha (as Fred Jones)
Japanese actor Sessue Hayakawa is cast as an ancient Egyptian donkey boy in An Arabian Knight. The humble Hayakawa rescues high-born Lillian Hall from lascivious pasha Fred Jones. All this brouhaha is actually a dream experienced by Hall.
J. Havilland Hunter, A Man of Mystery
This 15 chapter serial is considered to be "the last of the adult serials". Produced in Wilkes-Barre, PA., it has crisp editing, fast action, and carefully lit and composed interiors and lush pictorial exteriors. This is a serial of great complexity with the director, the photographer and title-maker always in absolute control. The extraordinary rhythmic momentum of the film is never lost despite the films complex plot turns. This is the best of the surviving serials from the silent era.
Fred C. Jones
A criminologist and a government agent team up to expose a ring of German spies.
Ivor
The story of two young sisters, one a somewhat demure musician who is in love with a scoundrel who's no good for her, and the other a wild, free spirit who is the object of a shy young carpenter's affections.