Márk Győri

参加作品

Hadik
Director of Photography
Historical movie on the life of András Hadik
Ordinary Failures
Camera Operator
A misfit teenager, an anxious mother, and a recent widow see their day interrupted by a mysterious natural phenomenon. As their world descends into chaos, the three women struggle to find their place in life.
Attila, Isten ostora
Cinematography
Things Worth Weeping For
Director of Photography
Maja’s life is finally coming together and her boyfriend couldn’t be more pleased. In the midst of moving out from their student flat, Maja’s evening takes a surprising turn when she stumbles upon an old relative who is without a doubt, dead. Nobody from the family is available to help, so Maja has to deal with it herself. As she waits for the authorities, Sara, Maja’s childhood friend, joins her. Sara’s more than keen on sharing her latest successes.
Kittenberger - Az utolsó vadászat
Cinematography
Martyrs Lane
Director of Photography
Leah, 10, has terrible nightmares. Her mother seems distant somehow, lost in her thoughts. A small, nightly visitor brings Leah comfort, but soon Leah will realize that her little visitor offers knowledge that might be very, very dangerous.
Cold Meridian
Director of Photography
In this short exploration of sensual audio-visual stimulation, the repeated rituals of an online performer have a transfixing effect on her viewers. What starts as an exploration of tactility, addiction and control soon descends into a nightmarish dance performance where no rules apply.
ファブリック
Second Unit Director of Photography
A haunting ghost story set against the backdrop of a busy winter sales period in a department store, following the life of a cursed dress as it passes from person to person, with devastating consequences.
Relentless
Cinematography
Balint is 18. He crushes on a girl, and then the next one, and the one after. In the rapidly passing Hungarian summer, the impermanence of his desires fills him with despair. When his heart becomes divided between a mysterious girl living in the forest, and a melancholic virgin, he decides he will have two first loves, not just one.
Relentless
Director of Photography
Balint is 18. He crushes on a girl, and then the next one, and the one after. In the rapidly passing Hungarian summer, the impermanence of his desires fills him with despair. When his heart becomes divided between a mysterious girl living in the forest, and a melancholic virgin, he decides he will have two first loves, not just one.
最悪の選択
Director of Photography
Two lifelong friends head up to an isolated Scottish Highlands village for a weekend hunting trip that descends into a never-ending nightmare as they attempt to cover up a horrific hunting accident.
A magyar alma
Cinematography
Katalin Varga
Director of Photography
In the beautiful, otherworldly Carpathian Mountains a woman is traveling with a small boy in a horse and cart, looking to punish those who once abused her. For years, Katalin has been keeping a terrible secret. Hitchhiking with two men, she was brutally raped in the woods. Although she has kept silent about what happened, she has not forgotten, and her son Órban serves as a living reminder.
Happy New Life
Editor
Árpád Bogdán's debut film seduces you with stylized visuals and an intensity that gives you an insight into the director's mind. His profound knowledge of the subject is evident throughout a film that is bereft of sex and violence. There is a poetic feel to the images that include a horse running wild on the streets of Budapest before it is caught and led into a horse trailer. The sequence is an eerie symbolic reminder of earlier visuals in the film of the young boy fleeing from parents/elders being arrested by police with the mother figure urging the child to run before he himself is caught and taken to an orphanage, psychologically scarred...(c) http://www.imdb.com/title/tt0944188/reviews
Happy New Life
Director of Photography
Árpád Bogdán's debut film seduces you with stylized visuals and an intensity that gives you an insight into the director's mind. His profound knowledge of the subject is evident throughout a film that is bereft of sex and violence. There is a poetic feel to the images that include a horse running wild on the streets of Budapest before it is caught and led into a horse trailer. The sequence is an eerie symbolic reminder of earlier visuals in the film of the young boy fleeing from parents/elders being arrested by police with the mother figure urging the child to run before he himself is caught and taken to an orphanage, psychologically scarred...(c) http://www.imdb.com/title/tt0944188/reviews
A Metaphysical Education
Director of Photography
A champion runner finds himself torn between winning a race and compulsively amassing any object he finds on his way. The film came about from a workshop run by Balázs Lóth in Budapest called Celluloid Műhely. Each participant was given complete freedom to make anything as long as the production didn’t exceed one roll of 16mm film, which was donated by the workshop.