Uuno Turhapuro becomes the President of Finland. Streets are named after him and honorary companies are arranged for him. He also tries to turn Finland into a kingdom.
OK, imagine four men in their 40s and 50s. You there? OK, now imagine them wearing suits and playing on a sandbox as characters aged 4, 5 and 6. Pasanen even has his trademark beard, for Christ's sake!
Uuno's father-in-law councillor Tuura moves to the country with his wife and daughter Elisabeth. Uuno joins them when it turns out Tuura's mansion is on the construction site of a new road. Tuura however is set on preventing this.
Uuno moves in flight cargo to Helsinki for the search of a rich, beautiful wife. He buys elegant clothes for eight marks from an estate auction and in two weeks becomes the most pursued bachelor in town, charming all the women. He also starts as a waiter in Vaaleanpunainen sika (Pink Pig), which starts the first quarrels between him and his father-in-law.
Juhani, a welder and Ritva, a right-wing backgrounded, future clerk get married. Soon we see that their marriage seems to be all about long business trips, housing problems, concerns about the money and political disagreements.
Klaus Grahn is a young student frustrated with his life. In an attempt to break free from his unfulfilling life he tries to commit the perfect crime and forges a large check. Quickly he runs out of money and the police identifies him as the criminal, and so he boards a train to Tampere where he robs a taxi and shoots the driver. He returns to Helsinki and manages to avoid the police, but his friends and family try to persuade him into giving himself up. Klaus is angered by this, and he flees, plagued by paranoid thoughts until he decides to confront his friends for the last time - this time with a gun.
While living separated, Mr. Kaski finds out that her wife has written a book about their marriage. And the book is not very flattering in tone towards Mr. Kaski and his abilities as a man.
Based on a song by the same name. It was the Genre Popularizer for the Rillumarei film and live entertainment genre that drew from the musical couplet genre of light, cleverly written, often satirical songs. Many of these films were based on an existing song, or a song was specifically written to be the foundation of a film.
