Director of Photography
How are biographies charted? How is identity constructed? Can we relive our past, reinvent it, rearrange or recycle it? Can we really know who we are if we ignore where do we come from?
Director of Photography
In the cabin the conductor activates the gear lever; his motion breaks the inertia. Behind is the station, then images of the machinery, the resignation of travelers, and the landscape. The events are increasingly bizarre; there is no destination, only the journey as metaphor.
