Mirta is doing her best to navigate the social and economic crisis pummeling Argentina on the eve of the 21st century, after all, she's got an unemployed husband, three stressed-out kids, and a drug addict father-in-law to look after. As the crisis promises to boot the family from the middle class, Mirta decides to open a pizzeria that will serve slices with lots of laughs and extra drama.
At fourteen years of age, Tomás is entering adolescence, that time in your life in which not only do you have to face physical and emotional changes, but in which there are also memories that start taking more traumatic forms. That is why he continuously visits a psychiatrist, why he acts a bit weird. He is a bit of a hermit, bearing, as much as he can, the extreme normalcy of his family, who are dying for summer to arrive so they can go to a time share at the beach, while Tomás wants to escape… to the moon.
Pablo Rouviot is a renowned psychoanalyst. His life changes completely when Paula arrives to his office and asks him to prove that his brother, a man with serious psychological problems and accused for the murder of his father, is in no able condition to be judged.
Angélica has spent her whole life escaping from her mixed racial identity, but a family crisis forces her to return to Puerto Rico and rethink her life.
When Martín and Sol try to solve the enigma of a missing neighbor, they will discover that nothing is what it seems, that your hearing can trick you just like your imagination and that your heart is a double-edged weapon.
This literary film is imbued with the disenchantment of Spanish exiles who left their homes to protest Franco's fascist regime and then returned after its demise to find that democracy had not instilled either ethics or deep motivation in government leaders. Director Basilio Martin Patino presents his story, and a large part of the film is based on his own life, through the experiences of an exiled heroine played by Charo Lopez. She has returned to Spain to look for meaning in her life, something that she never found living in Germany, not even after having a child. She is also in the process of translating the German lyric poet Friederich Holderlin (see the 1985 Halfte Des Lebens) into Spanish, focusing on his epic Hyperion. Excerpts from the translation are voiced over throughout the film. As she looks up old friends from many, many years ago, even those who have achieved worldly success are suffering from the same ennui that propelled her back home.
