Ferenc Deák B.

出生 : 1938-07-22, Budapest, Hungary

死亡 : 2004-01-01

参加作品

Innocent Assassins
Nyomozó
Two arts students, András and Viktor who are writing their thesis on detective stories, make up a story and keep nagging the famous film-director, who just came back from Hollywood, until he undertakes the job. At night they work on the film, in which two youths kill a director returning from the US. In the morning the director is found dead - a knife in his back.
The Confrontation
János
Paralleling the dramatic student protests and riots that were exploding across the world in the 1960s at the time the film was made, The Confrontation is a story of protest and rebellion in 1947 Hungary when the Communist Party have just taken power. Jancsó's first colour film is another virtuoso display by a director at the peak of his powers, and eloquently explores the complex issues and inherent problems of revolutionary democracy.
Egy ember, aki nincs
Miner
Az attasé lánya
Gergely
Every day - Sunday
Jirka is a composer, his wife, Jana, a pianist. Jana would like to have an own concert, but so far she has only been selected to accompany Valenta during his concerts in Budapest. After some resentments, she accepts the proposal.
Húsz évre egymástól
Bálint Péter
A father tries to deal with his troubled son who is involved in a hit-and-run accident.
Májusi fagy
Test Trip
Lóci
Vetró János, the lorry driver, is an alcoholic. His marriage is in pieces, his wife has a lover. Their son suffers an accident. The next day his wife moves out. In his desperation, Vetró drinks even more, and leaves his work as well.
May Song
Sleepless Years
The "sleepless years" in this propaganda piece by director Felix Marlassy occur on Csepel Island, an island south of Budapest that is home to an armaments factory. The factory workers are shown being exploited by imperialists, capitalists gone berserk, and fascists, more or less in that exact chronological sequence. The heavy-handed approach does much to undercut the belief that when socialism finally takes over, the lives of the workers are brought up to a human level. In this instance, audiences might prefer a more nuanced and subtle statement, no matter what the message.
The Bells Have Gone to Rome
Petér