George Metaxas

参加作品

Sweetmeats
Director
Sweetmeats City Times news reporter Paxton Paddlepop is on location at MOSA (the Museum of Sweetmeat Art) to learn what’s truly baked under the crust of contemporary Sweetmeat art. Through a series of one-on-one conversations, Paddlepop explores the confectionery stories behind a slew of emerging and prominent Sweetmeat artists as he seeks to answer the modern art question of our day: “Why art?”
Mother Bunker
Editor
Set sometime in the future, humans and robots are embroiled in war. To keep spirits high in the underground bunker, one robot performs in human drag for the robot army.
Mother Bunker
Cinematography
Set sometime in the future, humans and robots are embroiled in war. To keep spirits high in the underground bunker, one robot performs in human drag for the robot army.
Mother Bunker
Writer
Set sometime in the future, humans and robots are embroiled in war. To keep spirits high in the underground bunker, one robot performs in human drag for the robot army.
Mother Bunker
Director
Set sometime in the future, humans and robots are embroiled in war. To keep spirits high in the underground bunker, one robot performs in human drag for the robot army.
Retrograde
Director
Uranus City: the last outpost in our solar system. The rarely visited and near-empty space station 'Sage' orbits the city and its inhabitants. Two remain stranded on board, a human called Jemima and a bored and lonely alien tourist called London. Oblivious to the danger, they missed boarding the last escape pods to evacuate the station's population to the city below. London's unresisting affection for Jemima is tested when she comes up with a plan to escape their situation, whether he likes it or not. The short is a stop motion film, animated with characters made with armature bodies and hand-drawn replacement faces, and sets made primarily with cardboard.