Margaret Sullavan
出生 : 1909-05-16, Norfolk, Virginia, USA
死亡 : 1960-01-01
略歴
Margaret Brooke Sullavan (May 16, 1909 – January 1, 1960) was an American actress. Sullavan started her career on the stage in 1929. In 1933 she caught the attention of movie director John M. Stahl and had her debut on the screen that same year in Only Yesterday.
Margaret Sullavan preferred working on the stage and did only 16 movies. She retired from the screen in the early forties, but returned in 1950 to make her last movie, No Sad Songs For Me (1950), in which she plays a woman who is dying of cancer. For the rest of her career she would only appear on the stage.
Sullavan was nominated for an Academy Award for Best Actress for her performance in Three Comrades (1938). She died of an overdose of barbiturates on January 1, New Year's Day, 1960, at the age of 50.
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Self (archive footage)
Documentary about James Stewart's long career as an actor and positive personal life.
Self
A collection of behind the scenes and home movies from the golden age of Hollywood.
'Rebecca' screen test (archive footage) (uncredited)
Henry Fonda hosts this retrospective on the career and films of iconic filmmaker David O. Selznick, who epitomized the era of the auteur producer in the 30s and 40s.
Mary Scott
Mary Scott learns she only has ten months to live before dying of an incurable disease. She manages to keep the news from her husband, Brad and daughter, Polly. She tries to make every moment of her life count, but her effort is weakened by the discovery that Brad is interested in his assistant, Chris Radner. But when she learns that Brad does indeed love her and not Chris, and that Chris is leaving town, she realizes what she must do to ensure the future happiness of Brad and Polly. She persuades Chris to stay, makes a genuine friend of her and watches Polly grow towards Chris.
Lieutenant Smith
The Army nurses on Bataan need help badly, but when it arrives, it sure isn't what they expected. A motley crew, including a Southern belle, a waitress, and a stripper, show up. Many conflicts arise among these women who are thrown together in what is a desperate and ultimately hopeless situation.
Self
The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.
Jane Alexander
Charming Andre Cassil woos physician Jane Alexander and the two impulsively get married. The honeymoon ends very quickly when Jane voices her progressive views on marriage which include the two having separate apartments. Andre then tries to make his wife jealous in order to lure her into his bedroom.
Ruth Holland
An anti-Nazi on the run and a young Jewish couple race across Europe trying to escape Hitler's ever powerful influence.
Ray Smith
Previously filmed in 1932, and remade a third time in 1961, this second film version of Fannie Hurst's novel stars Margaret Sullavan as a fashion designer in love with a married banker (Charles Boyer). Directed by Robert Stevenson, the film also stars Richard Carlson, Tim Holt, Frank McHugh, Esther Dale and Cecil Cunningham.
Freya Roth
The Roth family leads a quiet life in a small village in the German Alps during the early 1930s. When the Nazis come to power, the family is divided and Martin Brietner, a family friend is caught up in the turmoil.
Klara Novak
Two employees at a gift shop can barely stand one another, without realising that they are falling in love through the post as each other's anonymous pen pal.
Judy Linden
A nightclub dancer shakes the foundations of a wealthy farming family after she marries into it.
Daisy Heath
During WWI Bill Pettigrew, a naive young Texan soldier is sent to New York for basic training. He meets worldly wise actress Daisy Heath when her car nearly runs him over.
Patricia Hollmann
A love story centered on the lives of three young German soldiers in the years following World War I. Their close friendship is strengthened by their shared love for the same woman who is dying of tuberculosis.
Cherry Chester / Sarah Brown
A writer and an actress meet and marry without really knowing each other--they are even unaware that both bride and groom are equally famous. During the honeymoon, all hell breaks loose as a comedic war of the sexes leads inevitably to love.
Cicely
A young married couple's relationship becomes strained when he is assigned overseas as a foreign correspondent and she becomes a major stage star.
Valette Bedford
During the American Civil War, Valette Bedford waits patiently for her husband Duncan Bedford, to return home, praying that she will not become a widow.
Luisa Ginglebuscher
In 1930s Budapest, naïve orphan Luisa Ginglebuscher becomes an usherette at the local movie house, determined to succeed in her first job by doing good deeds for others and maintaining her purity. Luisa's well-meaning lies get her caught between a lecherous businessman, Konrad, and a decent but confused doctor, Max Sporum. When Luisa convinces Konrad that she's married to Max, Konrad tries everything he can to get rid of the baffled doctor.
Lammchen
A young couple struggling against poverty must keep their marriage a secret in order for the husband to keep his job, as his boss doesn't like to hire married men.
Mary Lane
On the back of the Wall Street Crash of 1929, a young business man is about to commit suicide. With the note to his wife scribbled down and a gun in his hand, he notices a thick envelope addressed to him at the desk. As he begin to read, we're taken back to the days of WW1 and his meeting with a young woman named Mary Lane.
