Fabrice Préel-Cléach

Ana is spending the holidays with her family. The setting is perfect for relaxation and for wondering. Next to the house, workers are building a pond. Attracted by it, Ana senses a presence, someone familiar yet still unknown. Alexander David captures on screen all the beauty of a childhood self-discovery and the first uncertain steps taken outside of parental control. Evocative and mellow, Water Hazard explores queer identity with a delicate and empathetic eye.

Summer 2031, 104°. Saadia, 16, is in mechanical school although the car industry is in crisis and there are only a few electric cars in circulation. Her friends, Charly and Titi, throw a joke to cheer her up: what if the car of the future was a horse? Against all odds, Saadia trades her scooter for a massive workhorse which she brings back to the heart of her housing project.

Seventeenth century. Set in a small village, nestled between the sea and the mountain, the father of Alan, a young fifteen-year-old boy, has sold himself for two years to indentured service. Alan is forced to take the place of his father and struggles to support his family.

In the storeroom of the bakery where she works, twenty-seven-year-old Luna dreams of a Prince Charming and a life in a castle. On the same day, she will cross paths with a trash can full of dollar notes and a young man who stutters. What do we do with our childhood dreams when we are nearly thirty years old?

Thu Yen, 35, came to France to get married. However, things did not go as planned when she arrived. Her encounter with Marianne, a maid with a tormented past, will change her destiny.

Souleymane and Leila just got married, for better or for worse. The better is that they love each other very much. The worse is that they live in an absurd and kafkaesque country.

Standing still in front of the open window, a woman stares at the dark clouds that obscure the sky. Immobile, she fights against the remembrances of the past. In the clouds, a passionate embrace appears.

At night on a fishing trawler. An injured sailor, an intolerable order, and the death of the captain. Day breaks, and with it, the crew's doubts multiply.

Thirty-year-old Mia, going through a divorce, shifts into a small studio apartment in a public housing project. A former swimming champion, she finds herself giving swimming lessons to the building's inhabitants. Without a pool.

In a vague and futuristic world, people must pay for every single service in their life. When a stripper and a thief meet, they find a meaning within it.

It is 1968 and Marianne is nineteen years old. She has been sent to a home for young girls, far from her family and friends. Here she meets other girls whose secrets have turned their lives upside down.

Fifteen-year-old Salomé works in the workshop of her father, a painter celebrated for his blue color. But for some time now her father has not been able to make his famous color, putting the workshop in danger. Salomé begins to hope that he will pass on to her his, up until now, jealously kept secret.

Clotilde and Aude are 18. They have always been best friends, growing up together in the same small village in the South of France. Despite their differences, they have a strong and exclusive friendship. With their contrasts they attract each other, and they seem to be enough for one another. But Clotilde, looking for something else, decides to leave to study in Paris the following year, after the baccalaureate. She takes Aude along with her in this departure far from their roots. Refusing to admit that their paths are separating little by little, Clotilde and Aude persuade themselves that their friendship can survive anything.

The beach. Sky blue sea, white sand. Its attendants tanned, blackened, reddened. Amongst this crowd, no one fat. He remains cloistered in his den, sheltered from the sun and the noisy masses of people. Behind his curtains, he contemplates Marie, young and beautiful vacationer... and awaits the night...

Jean-François is a psychoanalyst in love with one of his patients. When she decides to stop therapy, Jean-François at last feels free to seduce the woman. Paralyzed when in front of his object of love, Jean-François accumulates blunders of every kind. He hence turns to Julien, one his patients who is in therapy to overcome his compulsive-obsessive flirting disorder. It's a totally absurd initiative on Jean-François's part. But, even so...