Jan Oxenberg

Jan Oxenberg

略歴

Jan Oxenberg is an American film producer, director, editor, and screenwriter. She is known for her work in lesbian feminist films and in television.

プロフィール写真

Jan Oxenberg

参加作品

Call Me Crazy: A Five Film
Writer
A psychotherapist helps a law student cope with schizophrenia in one of five interconnected tales dealing with mental illness.
Rescued from the Closet
Herself
A collection of interviews recorded for the making of the 1995 documentary "The Celluloid Closet," on the subject of LGBT representation in film history.
The Celluloid Closet
Self
This documentary highlights the historical contexts that gay, lesbian, bisexual and transgender individuals have occupied in cinema history, and shows the evolution of the entertainment industry's role in shaping perceptions of LGBT figures. The issues addressed include secrecy – which initially defined homosexuality – as well as the demonization of the homosexual community with the advent of AIDS, and finally the shift toward acceptance and positivity in the modern era.
Thank You and Good Night
Producer
Director Jan Oxenberg's docu-fantasy narrative about aging and death, and how it affects her family.
Thank You and Good Night
Writer
Director Jan Oxenberg's docu-fantasy narrative about aging and death, and how it affects her family.
Thank You and Good Night
Director
Director Jan Oxenberg's docu-fantasy narrative about aging and death, and how it affects her family.
A Comedy in Six Unnatural Acts
Jan Oxenberg’s charmingly raw, politically-charged and remarkably funny celebration of the American lesbian experience validates the nuanced voice of a community otherwise underrepresented in the Wild West of mid-’70s independent filmmaking. In an attempt to combat the pervasive misconception of the “humorless, angry feminist,” the vignettes in A Comedy in Six Unnatural Acts experiment with self-aware yet playful depictions of common stereotypes, such as the “Stompin’ Dyke” or the butch-femme couple. In the process, Oxenberg’s short film reclaims those insults and assumptions as newfound, loaded weapons—to deploy on her own terms, of course. (UCLA Film & Television Archive)
A Comedy in Six Unnatural Acts
Director of Photography
Jan Oxenberg’s charmingly raw, politically-charged and remarkably funny celebration of the American lesbian experience validates the nuanced voice of a community otherwise underrepresented in the Wild West of mid-’70s independent filmmaking. In an attempt to combat the pervasive misconception of the “humorless, angry feminist,” the vignettes in A Comedy in Six Unnatural Acts experiment with self-aware yet playful depictions of common stereotypes, such as the “Stompin’ Dyke” or the butch-femme couple. In the process, Oxenberg’s short film reclaims those insults and assumptions as newfound, loaded weapons—to deploy on her own terms, of course. (UCLA Film & Television Archive)
A Comedy in Six Unnatural Acts
Editor
Jan Oxenberg’s charmingly raw, politically-charged and remarkably funny celebration of the American lesbian experience validates the nuanced voice of a community otherwise underrepresented in the Wild West of mid-’70s independent filmmaking. In an attempt to combat the pervasive misconception of the “humorless, angry feminist,” the vignettes in A Comedy in Six Unnatural Acts experiment with self-aware yet playful depictions of common stereotypes, such as the “Stompin’ Dyke” or the butch-femme couple. In the process, Oxenberg’s short film reclaims those insults and assumptions as newfound, loaded weapons—to deploy on her own terms, of course. (UCLA Film & Television Archive)
A Comedy in Six Unnatural Acts
Producer
Jan Oxenberg’s charmingly raw, politically-charged and remarkably funny celebration of the American lesbian experience validates the nuanced voice of a community otherwise underrepresented in the Wild West of mid-’70s independent filmmaking. In an attempt to combat the pervasive misconception of the “humorless, angry feminist,” the vignettes in A Comedy in Six Unnatural Acts experiment with self-aware yet playful depictions of common stereotypes, such as the “Stompin’ Dyke” or the butch-femme couple. In the process, Oxenberg’s short film reclaims those insults and assumptions as newfound, loaded weapons—to deploy on her own terms, of course. (UCLA Film & Television Archive)
A Comedy in Six Unnatural Acts
Writer
Jan Oxenberg’s charmingly raw, politically-charged and remarkably funny celebration of the American lesbian experience validates the nuanced voice of a community otherwise underrepresented in the Wild West of mid-’70s independent filmmaking. In an attempt to combat the pervasive misconception of the “humorless, angry feminist,” the vignettes in A Comedy in Six Unnatural Acts experiment with self-aware yet playful depictions of common stereotypes, such as the “Stompin’ Dyke” or the butch-femme couple. In the process, Oxenberg’s short film reclaims those insults and assumptions as newfound, loaded weapons—to deploy on her own terms, of course. (UCLA Film & Television Archive)
A Comedy in Six Unnatural Acts
Director
Jan Oxenberg’s charmingly raw, politically-charged and remarkably funny celebration of the American lesbian experience validates the nuanced voice of a community otherwise underrepresented in the Wild West of mid-’70s independent filmmaking. In an attempt to combat the pervasive misconception of the “humorless, angry feminist,” the vignettes in A Comedy in Six Unnatural Acts experiment with self-aware yet playful depictions of common stereotypes, such as the “Stompin’ Dyke” or the butch-femme couple. In the process, Oxenberg’s short film reclaims those insults and assumptions as newfound, loaded weapons—to deploy on her own terms, of course. (UCLA Film & Television Archive)
Home Movie
Herself
Filmmaker Jan Oxenberg narrates her own home videos, commenting on how her views towards lesbianism and femininity have evolved over time.
Home Movie
Director
Filmmaker Jan Oxenberg narrates her own home videos, commenting on how her views towards lesbianism and femininity have evolved over time.
Womanhouse
Artist/ Three Women +
Held in 1972 at 533 N. Mariposa Street, Los Angeles was one of the most important cultural events in the United States: "Womanhouse," a feminist art installation and performance space organized by Judy Chicago and Miriam Schapiro.
I'm Not One Of 'Em
Director
A women interviews a roller derby skater.