Juan Pedro Valle

When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.

After three years behind bars, Búfalo has decided to change his life: resume his relationship with his son, get organized, get a normal job, not make any more mistakes. His past, however, does not intend to let him go and convinces him to take one last hit, but things go very wrong and the debt is now not with society, but with Tano, a complicated guy that he does not plan to wait for.

Sol, a 17-year-old teenager, moves with her mother to the Gonzalo's home, the actual mother's boyfriend. In this town, where from the beginning Sol only finds hostility, she must face bullying from her schoolmates and Gonzalo's harassment. While wandering the streets trying to find a way out, Sol meet a mysterious and magical female dog with whom she establish a symbiotic relationship. It be this dog, the one that violently and surprisingly, always appear to defend Sol until the last consequences.

Park Ranger Pablo Silva remakes his life in his new destination, a forgotten and troubled place that few want to go to, the Pereyra Iraola Park. Soon, under an apparent tranquility, he discovers a network of poachers, traffc and hoaxes. His old hunter instinct will arise. He can hide from everyone, except himself.

Escape from Patagonia is a gaucho-western film set in the tumultuous Patagonia of late nineteenth century. It's a story of survival, based on real facts from the personal diary of the Argentinian pioneer Francisco P. Moreno.

Five British friends head to the Andes for a stag weekend. Of course, they’re unprepared, get lost – and inevitably ignore all warnings about the sinister local legend of the ‘The Hunter’.