Editor
Three metropolitan stories entwine in São Paulo. Would-be actress Marina arrives in the city looking for independence, falls madly in love with Justine, a bisexual rock singer, and is swept up into her wild, edgy lifestyle. Marina shares a flat on Avenida Paulista with Suzana, a mysterious transsexual lawyer who begins a relationship with a male colleague who is unaware of her condition. Jay lives a few floors above them. He is a frustrated writer trying to give a meaning to his life by idealizing a stunningly beautiful prostitute, whom he transforms into a sort of muse. Following the frenetic pace of the city, the three "Paulista" characters will experience the euphoria of passion and its downside.
Editor
A story about the lies, treachery and vengeance of a middle-class family living on the outskirts of São Paulo. Four characters try desperately to change their lives, but are unable to escape their destiny.
Director
The lives of people who live by the sea, on islands, bays, marshes in the North of the State of Paraná, in Brazil and South of the State of São Paulo. Although relatively close to the big cities like São Paulo and Rio de Janeiro, they're basically fishermen who try to live in greater harmony with nature.
Original Music Composer
Rota ABC is a documentary essay about the desires and perspectives of youth living in the industrial suburb of São Paulo, directed by Francisco Cesar Filho and produced by Anhangabaú Produções, with a soundtrack by the punk rock band Garotos Podres.
Sound Editor
Rota ABC is a documentary essay about the desires and perspectives of youth living in the industrial suburb of São Paulo, directed by Francisco Cesar Filho and produced by Anhangabaú Produções, with a soundtrack by the punk rock band Garotos Podres.
Editor
Rota ABC is a documentary essay about the desires and perspectives of youth living in the industrial suburb of São Paulo, directed by Francisco Cesar Filho and produced by Anhangabaú Produções, with a soundtrack by the punk rock band Garotos Podres.
Editor
A poor woman is visited by the fairy godmother who turns her into a brilliant movie and TV star.
Assistant Editor
From its very title, Cláudio Kahns and Antônio Paulo Ferraz's Santo e Jesus, Metalúrgicos is crystal clear about where it stands and about its messianic flair. Through a wordplay with the religious connotation of the names of the two men, murdered during the worker strikes of the late 1970s in São Paulo, it associates sainthood and Christ himself with the working class. That association is reaffirmed throughout the film, from the very beginning, including by a priest. The martyrdom of metalworkers Nelson Pereira de Jesus and Santo Dias da Silva is the starting point to denounce the working conditions faced by factory workers, and the repression which ensues whenever they try to resist them. However, the film also presents us with the 'official' version of the facts, going so far as to feature interviews with the man who killed Nelson. Obviously, it sides with the workers, as it conveys the strength of the oppressed and the impudence of the oppressors.
