Willie Berrios

参加作品

Érase una vez en el Caribe
Cinematography
When Junior Walker sees Pura and wants her, he sends his men to kidnap her. What he wasn’t expecting was her husband to be Juan Encarnación; once the most feared foreman and skillful machete fighter. Encarnación will fight all of Junior’s goons to reunite his family, while Pura is being lured by the riches Junior has to offer.
El Chata
Director of Photography
Samuel returns to his neighborhood after eight years in prison, which have obligated him to act in ways he never imagined, but also to think about his life and what he believes he is made for: boxing. Many things have changed since Samuel has been gone. Joe, his former coach, is now training a new prospect called Víctor. If Samuel wants to box, he will have to prove that there is still room for him. But in order to support his family, he agrees to be this new fighter's chata (sparring). This is the story of characters predetermined to failure.
Desagravio
Cinematography
A widow must confess her infidelities in her husband's wake to appease his angry ghost and the scared townsfolk. Based on the short story by the Puerto Rican writer Emilio S. Belaval.
Vasos de papel
Cinematography
An anonymous love letter left in Carli's locker wreaks havoc on his life, and the lives of everyone who come in contact with it.
Los Domirriqueños
Director of Photography
In a neighborhood where Dominicans and Puerto Ricans live in community, they must learn to put their differences aside and work together to prevent the demolition of their basketball court.
Vanidad
Director of Photography
A young man uses criminal alternatives to earn money and complete his studies in order to achieve his dream of becoming a filmmaker.
America
Director of Photography
América, a 30-year-old mother who lives in a remote Caribbean village, suffers the hardest hit when her lover takes her daughter from her. Fury and fear push her to run away. In her new life as a nanny in New York City, with support from relatives and other latinas, América finds comfort and hope. When she dares to dream of a life without violence, reality hunts her down. Will she survive to tell her story?
The Escape
Cinematography
The Orama Family, coffee growers for generations in the central mountain region of Puerto Rico, cherish their traditions and their famous gourmet coffee. The entire household is abuzz preparing for the wedding of Isabel, the youngest daughter. The bride, however, is getting cold feet and plans to run away on the eve of her wedding.
Oso Blanco
Cinematography
This gritty documentary takes you inside the legendary Oso Blanco, the most feared prison of Puerto Rico and one of the most notorious in the Caribbean. It is the birthplace of two of the most dangerous Latino gangs: "Ñeta" and "Los 27" (aka "Los Insectos") and the scene of hundreds of murders.
Las estrellas del estuario
Director of Photography
Guided by a map, four children decide to embark on a fascinating adventure to find a magical treasure. While their parents search for them, the children find the meaning and magic of the nature they promise to protect and care.
Voltio: En Vivo Desde Oso Blanco
Director of Photography
Urban Latin sensation Voltio -- a one-time gang member -- reconciles with his criminal past in this electrifying concert for prisoners in the notorious Caribbean prison Oso Blanco. Tracks include "Voy Pa'Dentro," "El Concierto," "Guerras Callejeras," "Baby Phillie 352," "Padre Nuestro," "Cementerio Para Los Vivos," "Locked Up," "En Mi Puertorro" and "Claro De Luna." Bonus features include rehearsal footage and scenes with the prisoners.
Isla chatarra
Director of Photography
Isla chatarra describes the phenomenon of the ubiquity of automobiles in Puerto Rico. The island measures slightly less than 9,000 square kilometers, but has 25,000 kilometers of paved road, one of the highest proportions in the planet. Puerto Rico is one of the countries with the largest number of vehicles per kilometer (of road) and third in the world in number of cars per 1,000 inhabitants. The film was produced with the idea to raise consciousness and create a dialogue about the ongoing situation of our dependence on cars. It also shows the dangerous circumstances of an island that is slowly being covered by scrap metal.
Tuyo
Director of Photography
An intimate look at a toxic relationship