David Pacheco

参加作品

Divine Divas
Director of Photography
Eight iconic performers of the first generation of Brazilian transvestite artists go on stage to celebrate their 50th career jubilee. The film depicts the human, personal dimension behind these icons, deconstructing gender stereotypes.
Los Hermanos - Esse é Só o Começo do Fim da Nossa Vida
Photo Retouching
One of the greatest phenomena of brazilian music of recent times, the band Los Hermanos gains an intimate record and true to its spirit in the documentary by Maria Ribeiro. In 2007, after a decade together and four albums released, the members of the band Los Hermanos announced, at the height of their success, that they would take an indefinite break. After a five-year hiatus, they got together for a tour that spanned 12 brazilian cities. The documentary accompanies the presentations in five of these cities (Recife, Brasília, Salvador, Porto Alegre and Rio de Janeiro), revealing the daily life of a tour, the backstage of the shows and the always warm participation of the fans.
Três no Tri
Cinematography
Mexico Cup, 1970: Pelé scores the goal against Czechoslovakia, helping the Brazilian team towards its third championship. Orlando Abrunhosa immortalized the feat in the most reproduced photo around the world, but this is not his only feat.
Aperana Street 52
Cinematography
In his film Rua Aperana 52 Júlio Bressane describes the invention of a landscape, the topology of a corner of Rio de Janeiro. The film consists of a series of photographs taken between 1909 and 1955 by, among others, Bressane's parents at and around the address used as a title. These are interlarded with scenes from films made between 1957 and 2005, bringing the total fictional time the film covers to almost a century; one hundred years in which the winding road featured in almost every shot structures the new landscape behind the Aperana, which means 'wrong road'. Rua Aperana 52 is autobiographical, as it is a landscape from Bressane's youth, but it is also not so; it is more a multi-subjective mythology of a place seen through all those films and photographs. Bressane refers to his editing as an intuitive form of thinking aimed at evoking moods which make the viewer the new witness of the fictional landscape. A fiction about a fiction,
Ver Viver Reviver
Camera Operator
In September 2007 Júlio Bressane goes to Ferrara. In the cemetery of the Italian city he ends up making two movies.
Problema
Director of Photography
What happens when two friends meet.
Problema
Camera Operator
What happens when two friends meet.
Footie for Danau
Cinematography
Humorous short documentary on the introduction of football association in Brazil, in Factory Bangu, Rio de Janeiro.