Manal Issa
出生 : , Paris, France
略歴
Manal Issa is an English speaking actress, writer, storyteller and robotics engineer.
In post-war Lebanon, Ida, a young Lebanese girl, flees her small village and her alcoholic mother and goes to the big city. There, she starts dating a European man not knowing what is in store for her.
Sarah Mardini
From war-torn Syria to the 2016 Rio Olympics, two young sisters embark on a risky voyage, putting their hearts and their swimming skills to heroic use.
Maria Schneider
In 1983, French actress Maria Schneider gives an interview for the TV show Cinéma Cinémas. The conversation takes an unexpected turn when she challenges film industry practices and is asked to talk about the controversial film Last Tango in Paris (1972).
Jana
A young woman makes her way back home to her parents’ house in the middle of the night leaving a bad experience behind. Haunting pressures to fit back into the family dynamics as well as revealing details of her life abroad weigh heavy on her. Feeling cornered, her anxieties resurface, leading her to find solace in another part of her Beirut life that she had forsaken. A life that is for her as familiar and foreign now as it ever was.
Maia (Young)
Maia, a single mother, lives in Montreal with her teenage daughter, Alex. On Christmas Eve, they receive an unexpected delivery: notebooks, tapes, and photos Maia sent to her best friend from 1980’s Beirut. Maia refuses to open the box or confront its memories, but Alex secretly begins diving into it. Between fantasy and reality, Alex enters the world of her mother’s tumultuous, passionate adolescence during the Lebanese civil war, unlocking mysteries of a hidden past.
Sabrina (uncredited)
Video #2 of Finite Rants, a series of eight visual essays commissioned by Fondazione Prada and curated by Luigi Alberto Cippini and Niccolò Gravina. Bertrand Bonello reworks the last minutes of his 2016 film Nocturama, which documents the logistical operations and the organization of terrorist attacks in Paris by a group of teenagers. Starting with "Où en êtes-vous?", a video commissioned by the Centre Pompidou in 2014 and conceived as a letter to his then 11-year-old daughter, the director makes a new work altering the final sequence of Nocturama and completely modifying the textual component and the soundtrack in this video essay as a second letter written for his now 17-year-old daughter.
Souad
A Lebanese immigrant living in Montreal is haunted by his sister's death.
Razerka
Paris, France, 1979. Rose, a rebellious orphaned teenager, and Michel, a young aspiring painter, enjoy their crazy love under the neon lights of the decadent nightclub Le Palace, where they establish an ambiguous relationship with Lucille and Hubert, two bohemian bourgeois who will change their lives.
Mona
Ulysses, a secluded artist who mysteriously retired a few years ago, meets Mona, a young art student full of life. The encounter will change them both.
Nahla
Damascus, Spring 2011. It's the early stages of the civil war. 25-year-old Nahla is torn between her desire for freedom and the hope of leaving the country thanks to her arranged marriage with Samir, a Syrian expatriate in the USA. When he chooses her younger, more docile sister Myriam, Nahla finds refuge at her neighbor's, the mysterious Ms Jiji.
Beirut, on an autumn day. The city is on the edge of chaos, but for Maya, Tarek, Yasmina and Rami, aged between 17 and 22 years old, it is just an ordinary day during which they question themselves about sex, love and night time hanging out.
Sabrina
パリの街にそれぞれ爆弾を仕掛け、うつろな目の若者たちが集合したのは閉店後の高級デパートだった。緊張感が漂うなか、若者たちはここで夜を明かすのだ。
Lina
The new film from Lebanese director Danielle Arbid follows a young Arab immigrant in Paris, whose encounters with three men reveal different facets of her new country, and of herself.
Imane
Madonna
The exits of a Berlin courtyard are blocked by the police due to an ambiguous event outside and a state of emergency occurs. Among the residents of the building, insecurities start to pump fear. Suspicion takes over panic, prejudices bring polarization and another question appears: Is the real danger coming from inside or outside?