Yuan Qiu-Feng

出生 : 1924-07-15, Harbin, Heilongjiang, China

参加作品

Duel at the Supreme Gate
Producer
This kung fu classic focuses on a contested succession at the Supreme Gate School. When turncoat Shen Darong kills several of the Supreme Gate students, the survivors are forced to accept him as their leader. Or are they? The students organize a tournament for Shen to prove his skills, inviting other formidable warriors in the hopes that someone can defeat him.
Duel at the Supreme Gate
Director
This kung fu classic focuses on a contested succession at the Supreme Gate School. When turncoat Shen Darong kills several of the Supreme Gate students, the survivors are forced to accept him as their leader. Or are they? The students organize a tournament for Shen to prove his skills, inviting other formidable warriors in the hopes that someone can defeat him.
青春的旋律
Director
A Debt of Blood
Director
During the Sino-Japanese War of Resistance, the young daughter of Ma Renshan, the president of North China Hospital, was killed by the Japanese army. His second daughter Ma Xiuyun and his younger brother Ma Shaohua joined the anti-Japanese guerrillas.
Lady in the Moon
Director
Chang E is a fairy in the moon. One day she sneaks to the earth where she meets a talented archer, Hou Yi, and falls in love with him. At that time, there are nine suns in the sky and they cause serious droughts on earth. Chang then pleads with the Heavenly Empress for some magic arrows so that Hou can shoot down the spare suns. After that Hou becomes a king with overwhelming support from the people. Later, Hou becomes increasingly cruel and corrupt after ascending to the throne. He wages wars on neighbouring kingdoms and drives his people to extreme misery and hardships. Chang has tried to stop him but fails. At the end, she takes Hou’s magic arrows and returns to the moon.
The Butterfly Chalice
Director
The story revolves around Tian Yu Quan (Chin Feng) who rushes to the aid of an elderly fisherman who is bullied by an arrogant relative of the Qiu Shan ministry. In the heat of the ensuing battle he kills the said man and is hence chased by the district's officials. Trying to use the waterway to shake off his enemies, Yu Quan finds a true friend in the old fisherman's bark-stearing daughter, Hu Feng Lian (Ting Hung) who becomes his loyal accomplice. As symbol for his gratitude, Yu Quan bestows Feng Lian with a Butterfly Chalice to reflect their eternal friendship bond...
Songfest
Director
The story centers on the passionate and turbulent romance between a tea-picker girl, Yu Lan, and a fisherman, Chun Yang.Complications soon arise when a love rival, Hu San Bao, appears.
The Black Forest
Director
A musical set in Taiwan produced by the Shaw Brothers
The Mid-nightmare: The Sequel
Director
Li Xiaoxia thought her lover Song Danping had died, and asked her father if she could become a nun. Her father, the warlord Li Xianchen, was outrageous and beat her with a cane. Soon the Japanese invaders were approaching, thus the warlord sent his daughter to Shanghai for shelter. Song jumped into the running river but did not die. After some time he came to Shanghai where he joined the anti-Japanese guerilla headed by Sun Xiaogou. Song killed a number of Chinese traitors and earned himself a name "the midnight man".
The Mid-Nightmare
Director
Essentially an adaptation of Gaston Leroux's classic The Phantom of the Opera, Mid-Nightmare is set in a Huangmei diao teahouse theatre, which an embittered and horribly disfigured ex-performer ‘haunts', looking to extract revenge on his enemies and falling in love with a talented and beautiful, but ultimately unattainable, ingénue.
The Dream of the Red Chamber
Director
The Ching Dynasty novel The Dream of The Red Chamber is not only the most widely read, but also the most filmed book in Chinese history. The sprawling love story has proven a challenge to many filmmakers, but this version is acclaimed as the most successful. A sumptuous feature which took three years of planning and another for production, it was a hugely popular and critical hit which still stands out as a classic of both 18th century literature and 1960s moviemaking.