Valeriy Storozhik

One day, Valera wanted to do a good deed, to save the endangered animals. But what should we do if the one we want to help is five times bigger than you and ideally you would hold in your stomach?

In pre-Soviet Russia, Boris Savinkov leads a terrorist faction of Socialist-Revolutionary Party members responsible for the deaths of governors and ministers.

Day of the Full Moon, a series of vignettes from Russia past and present, summons the spirit of Ophuls’ La Ronde, Altman’s Nashville and Short Cuts, and the time-shifting strategies of Resnais (Mon Oncle d’Amérique) to tell provocative, connected stories illustrating the waltz of years and whim of memory. In 1948, a young man, a boy, and a waiter are captivated during the full moon by a mysterious woman in a lilac dress. The effects of this event ripple across the years, washing over more than 80 characters, including a disc jockey, a fairy princess, a gangster, Alexander Pushkin, and a nostalgic dog. But which of these are dreams, and which reality? Director Shakhnazarov continues his career-long focus on the intersection of past and present with this mysterious, exhilarating mosaic of humankind, which in the end both seduces and satisfies.

A middle-aged, alcoholic lawyer inherits a mysterious, unsigned will from his father.

The ancient northern monastery has a guide Tatyana. Two former classmates seek her favors: medical student Ivan and young businessman Yves (that is, also Ivan). As a result of a fall from a balloon, the girl is in a coma. Only Ivan Voronov can deduce from this state if he is near. He decides to help his beloved by entering into intimacy with her. The nurse who discovered them reports to the police. Ivan was arrested as a "maniac", and the life of TANI is under threat again ... "

In an ordinary industrial Soviet town, notable only for presence of a radio-telescope, people start behaving strangely, in a robotic manner, while assuming geometry-inspired aliases and organizing into a new hierarchy. The phenomenon spreads via a device of alien origin, called “the mediator”, capable of implanting extraterrestrial minds into human bodies. The aliens are bound by limitations of the terrestrial technology, having to use the means at the disposal of humans to prepare the grounds for the full-scale invasion. With “the mediator" being unable to subdue minds of children, lunatics, geniuses, and rebels, a struggle over the fate of the town and the human civilization ensues.

Praised for its fine photography and production design if not its narrative, Sergei Bondarchuk directed this adaptation of the tale by Alexander Pushkin. Boris Godunov came to the Czarist throne at the end of the 16th century, after the original heir to Ivan the Terrible had died. At first, things went well for Godunov (played by Bondarchuk), but when the Russian people began to believe he had killed Ivan the Terrible's son in order to gain the throne, an alliance sprang up against the new Czar. Events continued to spin out of control as a young monk was presented as the son Godunov had supposedly killed. Now he was openly accused of failing an assassination attempt, which seems to be even worse than succeeding. In addition to these woes, Boris Godunov began to suffer serious health problems. So much for the joys of kingship.

A young girl visits her family in a village and mistakenly identified by local children as a swimming champion.

Based on a play of the same name by Aleksei Arbuzov.