Producer
Jaanus spends the last day with his wife Karin at home. In the midst of common eiders, seagulls, fishing nets and summer breeze, they send Karin's soul to the eternity.
Casting
CIA agents Palmer and Gagano are tasked with the perilous mission of destroying “The Soviet Union!" As they enter the system using a VR simulation, their mission quickly turns into a delirious trap, far more complex than expected, as the fabric of reality starts unraveling around them. A cornucopia of stylistic influences, virtuosic cinematic techniques, and set design (ranging from stop-motion animation to stylized live-action), Llanso’s latest blends inter-dimensional intrigue, spy-fi, kung-fu, and Philip K. Dick-esque mind-melting weirdness to achieve truly unclassifiable results.
Coordinating Producer
CIA agents Palmer and Gagano are tasked with the perilous mission of destroying “The Soviet Union!" As they enter the system using a VR simulation, their mission quickly turns into a delirious trap, far more complex than expected, as the fabric of reality starts unraveling around them. A cornucopia of stylistic influences, virtuosic cinematic techniques, and set design (ranging from stop-motion animation to stylized live-action), Llanso’s latest blends inter-dimensional intrigue, spy-fi, kung-fu, and Philip K. Dick-esque mind-melting weirdness to achieve truly unclassifiable results.
Producer
Karina and Martin are in a pleasent relation where everyday life flows in an effortlessly accustomed way and no small misbehaviours can shake it’s rush. Life is good. Perhaps it’s this perfection and frequent patterns that make them finally pose a question – is everything to be expected in life? This is a story about following the yearning of your soul. Longing for something other than the present and having the courage to be deliberately lost.
Producer
Two men on the run cause chaos in a small community that is on the brink of getting swallowed by war.
Producer
The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.
