Raquel Pérez

8:19' is a smart gallery of characters living, unknowingly, their last 8 minutes and 19 seconds in absolutely rutinary situations, letting time go by, delaying decisions, postponing meetings and pleasures. Characters who think there is a future to be reached. Like everyone.

Yolanda is a young girl who practices athletics, it's her passion. But she's not training the way she wants, there is something wrong on her life and it's about to explode.

Julia is saying goodbye to the last visitors who have come to the house after the sudden death of her husband. When it seems that finally has a moment of intimacy, Susan knocks on the door. Despite Julia's refusal to let her pass, Susana rebukes her, arguing that she has the right to say goodbye to her husband.

Madrid, summer 2011. Economic crisis. 15-M movement and 1.5 million pilgrims waiting for the Pope’s arrival live side by side in a Madrid that’s hotter and more chaotic than ever. In this context, detectives Velarde and Alfaro must find what seems to be a serial killer. Their against-the-clock hunt will make them realise something they’d never imagined: neither of them are so very different from the killer.

Fan girl finds herself torn between the attraction for her film idol and her best male friend.

Clari is going out tonight with one objective: hooking up with the Internet date her friend is about to ghost. They spend a night together and he wants to see her again, giving her all the cards she needs to be the object of her friends' envy as he becomes the love of her life. It's all too perfect for Clari not to mess it up.

Max [Jesús Caba] wakes up without realising that the day before the clocks went back. A chain of events take place over the course of the day as a result of him leaving the house one hour late.

All families have secrets and lies, and at some point everyone has thought of confessing everything. But when? How? One by one? Suddenly at a family reunion? Today, on Christmas Eve, it doesn't seem to be the best moment. On Christmas Eve you must enjoy yourself, because Santa Claus is coming, because children are there. Tonight, the secrets are whispered and lies are floating in the air. But who cares about another small lie, it will be the last one. Tomorrow, yes, tomorrow we will tell her everything. So, grandma, Merry Christmas.

Two hours with a stranger. A bittersweet love story. A daily reality that feeds on censored fantasies. Lack of communication. A pact. And finally a flower, the lie that always join them.

David is a teenager who feels he doesn't belong to a life where his family, friends and the girl he loves seem not to understand him.

Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.