Valeriya Dmitrieva

月が崩壊した後の地球を舞台に、命懸けのスポーツ「コスモボール」に参戦した青年を描いたロシア製SFアクション。月の崩壊から20年。地球は食糧不足や電力不足に悩まされ、疫病の流行により人類は生き延びることに必死になっていた。そんな中、人々が唯一熱狂するスポーツが「コスモボール」だ。テレポート能力を持つ青年アントンは、母の病気を治すことを条件にコスモボールの選手になる。指導者ベロのもとで選手仲間のナターシャらとともに練習を重ね大会に臨むアントン。しかしコスモボールの真の目的は、破壊者チェルノとの命を懸けた闘いだった。監督は「オーガストウォーズ」のジャニック・フェイジエフ。ヒューマントラストシネマ渋谷＆シネ・リーブル梅田で開催の「未体験ゾーンの映画たち2021」上映作品。

"Chernobyl: Exclusion zone. The finale" will put an end to the story of five teenagers who tried to prevent the world's most famous man-made disaster. They will have to return to where it all started – Chernobyl, in order to solve the mystery of the origin of the Exclusion Zone. The full-length film will provide answers to all riddles and intrigues, and its creators promise to maximize the dynamism of the action, the entertainment of action scenes and the quality of visual special effects.

This is a story of a small town girl named Nastya. Her newly married husband Ivan drives her to his hometown to meet his family. Upon their arrival Nastya feels she made a wrong decision: she is surrounded by weird people and she sees creepy photos all around the house. Ivan disappears while his family prepares Nastya for a mysterious traditional Russian wedding ceremony. She struggles to calm herself down hoping all this will end and they will live happily ever after. Only if she stays alive...

There is an ancient ritual known to humankind for more than a hundred years...According to the legend, an ominous entity known as The Queen of Spades can be summoned by drawing a door and staircase on a mirror in the darkness, and by saying her name three times. The Queen of Spades gets her energy from reflective objects; she cuts locks of hair from those asleep, and those that see her go mad or die. Four teenagers decide to call The Queen of Spades as a joke. But when one of them dies of a sudden heart attack, the group realizes they are up against something inexplicable and deadly dangerous.

This celebrated director's "exquisite cruelty" appears front and center when the death of a stage actor turns a theatrical drama into a real one. Two in One's two parts, "Stagehands" and "Woman of a Lifetime," celebrate the psychological richness that lurks just beneath the surface of banal reality - if murderous stagehands, lascivious fathers and vengeful daughters can be described as banal.