Julia Zakia

参加作品

Citrotoxic
Cinematography
Citrotoxic
Director
Eneida
Cinematography
Barbie & Bob
Director of Photography
A young couple spends the night in a motel room in the Brazilian Capital. Amid drugs, drinks, money and whims, they mimic a marriage cerimony, triggering the violence between patriarchy and the Brazilian political elite.
Frogs
Producer
It’s dripping through the ceiling, the space for sleeping is scarce. Under poor living conditions, a young mother handles everyday life with her two daughters in the Brazilian suburb as best she can. When they unexpectedly acquire a load of frog legs, this gives rise to a celebration that will not soon be forgotten.
Frogs
Writer
It’s dripping through the ceiling, the space for sleeping is scarce. Under poor living conditions, a young mother handles everyday life with her two daughters in the Brazilian suburb as best she can. When they unexpectedly acquire a load of frog legs, this gives rise to a celebration that will not soon be forgotten.
Frogs
Editor
It’s dripping through the ceiling, the space for sleeping is scarce. Under poor living conditions, a young mother handles everyday life with her two daughters in the Brazilian suburb as best she can. When they unexpectedly acquire a load of frog legs, this gives rise to a celebration that will not soon be forgotten.
Frogs
Executive Producer
It’s dripping through the ceiling, the space for sleeping is scarce. Under poor living conditions, a young mother handles everyday life with her two daughters in the Brazilian suburb as best she can. When they unexpectedly acquire a load of frog legs, this gives rise to a celebration that will not soon be forgotten.
Frogs
Director
It’s dripping through the ceiling, the space for sleeping is scarce. Under poor living conditions, a young mother handles everyday life with her two daughters in the Brazilian suburb as best she can. When they unexpectedly acquire a load of frog legs, this gives rise to a celebration that will not soon be forgotten.
Lavender
Director of Photography
During carnival Flaviana lives a pretty difficult dilemma; how to disguise from her last night lover who refuses to get out of her shower?
Partida
Director of Photography
The film documents the construction of political thinking of the newest candidate for the presidency of the Republic of Brazil by the female PARTY, the actress Georgette Fadel, from her relationship with an unusual troupe of ten people who accompany her on an initiatory journey in search of hers greatest reference, Pepe Mujica, in Uruguay.
Partida
The film documents the construction of political thinking of the newest candidate for the presidency of the Republic of Brazil by the female PARTY, the actress Georgette Fadel, from her relationship with an unusual troupe of ten people who accompany her on an initiatory journey in search of hers greatest reference, Pepe Mujica, in Uruguay.
Planeta Fábrica
Director
Their Happiness
Director of Photography
Two girls run away from the police after the Women's March. In the midst of violence, they find a way to live their desire.
Guigo Offline
Director of Photography
Guigo is in love with Sabrina, with whom he exchanges messages through his cell phone. He is the son of separated parents. One day he and his friend Túlio travel to a fishery with their father, Roberto, and his friend, Paulo.
Rainha
Director of Photography
Gypsy River
Writer
A gypsy girl travels across the vast lands of Brazil to save her long lost childhood friend from a violent countess who drinks the blood of young women.
Gypsy River
Director
A gypsy girl travels across the vast lands of Brazil to save her long lost childhood friend from a violent countess who drinks the blood of young women.
Periscópio
Cinematography
Élvio and Eric live alone in a small apartment without talking to anyone else. The relationship between the two deteriorates until one day, mysteriously, a periscope appears in the room.
Helena Ramos
Camera Operator
Bailão
Cinematography
Life is fleeting...memories are not.
O Aborto dos Outros
Director of Photography
Tarabatara
Editor
"Why is it that I've never lived in one sector definitively? Because I feel bad. I feel bad about the air of one place." Tarabatara is a call to daily life and the charms of a gypsy family from the hinterland of Alagoas. The documentary captures moments of a period of pause in the nomadism of these gypsies. In the figure of the eldest and their memories, in the women and children of the group, with their speeches and gestures, with their looks and tasks.
Tarabatara
Writer
"Why is it that I've never lived in one sector definitively? Because I feel bad. I feel bad about the air of one place." Tarabatara is a call to daily life and the charms of a gypsy family from the hinterland of Alagoas. The documentary captures moments of a period of pause in the nomadism of these gypsies. In the figure of the eldest and their memories, in the women and children of the group, with their speeches and gestures, with their looks and tasks.
Tarabatara
Cinematography
"Why is it that I've never lived in one sector definitively? Because I feel bad. I feel bad about the air of one place." Tarabatara is a call to daily life and the charms of a gypsy family from the hinterland of Alagoas. The documentary captures moments of a period of pause in the nomadism of these gypsies. In the figure of the eldest and their memories, in the women and children of the group, with their speeches and gestures, with their looks and tasks.
Tarabatara
Director
"Why is it that I've never lived in one sector definitively? Because I feel bad. I feel bad about the air of one place." Tarabatara is a call to daily life and the charms of a gypsy family from the hinterland of Alagoas. The documentary captures moments of a period of pause in the nomadism of these gypsies. In the figure of the eldest and their memories, in the women and children of the group, with their speeches and gestures, with their looks and tasks.
O Chapéu do meu avô
Editor
O Chapéu do meu avô
Director