Cinematography
Director
Cinematography
Director of Photography
A young couple spends the night in a motel room in the Brazilian Capital. Amid drugs, drinks, money and whims, they mimic a marriage cerimony, triggering the violence between patriarchy and the Brazilian political elite.
Producer
It’s dripping through the ceiling, the space for sleeping is scarce. Under poor living conditions, a young mother handles everyday life with her two daughters in the Brazilian suburb as best she can. When they unexpectedly acquire a load of frog legs, this gives rise to a celebration that will not soon be forgotten.
Writer
It’s dripping through the ceiling, the space for sleeping is scarce. Under poor living conditions, a young mother handles everyday life with her two daughters in the Brazilian suburb as best she can. When they unexpectedly acquire a load of frog legs, this gives rise to a celebration that will not soon be forgotten.
Editor
It’s dripping through the ceiling, the space for sleeping is scarce. Under poor living conditions, a young mother handles everyday life with her two daughters in the Brazilian suburb as best she can. When they unexpectedly acquire a load of frog legs, this gives rise to a celebration that will not soon be forgotten.
Executive Producer
It’s dripping through the ceiling, the space for sleeping is scarce. Under poor living conditions, a young mother handles everyday life with her two daughters in the Brazilian suburb as best she can. When they unexpectedly acquire a load of frog legs, this gives rise to a celebration that will not soon be forgotten.
Director
It’s dripping through the ceiling, the space for sleeping is scarce. Under poor living conditions, a young mother handles everyday life with her two daughters in the Brazilian suburb as best she can. When they unexpectedly acquire a load of frog legs, this gives rise to a celebration that will not soon be forgotten.
Director of Photography
During carnival Flaviana lives a pretty difficult dilemma; how to disguise from her last night lover who refuses to get out of her shower?
Director of Photography
The film documents the construction of political thinking of the newest candidate for the presidency of the Republic of Brazil by the female PARTY, the actress Georgette Fadel, from her relationship with an unusual troupe of ten people who accompany her on an initiatory journey in search of hers greatest reference, Pepe Mujica, in Uruguay.
The film documents the construction of political thinking of the newest candidate for the presidency of the Republic of Brazil by the female PARTY, the actress Georgette Fadel, from her relationship with an unusual troupe of ten people who accompany her on an initiatory journey in search of hers greatest reference, Pepe Mujica, in Uruguay.
Director
Director of Photography
Two girls run away from the police after the Women's March. In the midst of violence, they find a way to live their desire.
Director of Photography
Guigo is in love with Sabrina, with whom he exchanges messages through his cell phone. He is the son of separated parents. One day he and his friend Túlio travel to a fishery with their father, Roberto, and his friend, Paulo.
Director of Photography
Writer
A gypsy girl travels across the vast lands of Brazil to save her long lost childhood friend from a violent countess who drinks the blood of young women.
Director
A gypsy girl travels across the vast lands of Brazil to save her long lost childhood friend from a violent countess who drinks the blood of young women.
Cinematography
Élvio and Eric live alone in a small apartment without talking to anyone else. The relationship between the two deteriorates until one day, mysteriously, a periscope appears in the room.
Camera Operator
Cinematography
Life is fleeting...memories are not.
Director of Photography
Editor
"Why is it that I've never lived in one sector definitively? Because I feel bad. I feel bad about the air of one place." Tarabatara is a call to daily life and the charms of a gypsy family from the hinterland of Alagoas. The documentary captures moments of a period of pause in the nomadism of these gypsies. In the figure of the eldest and their memories, in the women and children of the group, with their speeches and gestures, with their looks and tasks.
Writer
"Why is it that I've never lived in one sector definitively? Because I feel bad. I feel bad about the air of one place." Tarabatara is a call to daily life and the charms of a gypsy family from the hinterland of Alagoas. The documentary captures moments of a period of pause in the nomadism of these gypsies. In the figure of the eldest and their memories, in the women and children of the group, with their speeches and gestures, with their looks and tasks.
Cinematography
"Why is it that I've never lived in one sector definitively? Because I feel bad. I feel bad about the air of one place." Tarabatara is a call to daily life and the charms of a gypsy family from the hinterland of Alagoas. The documentary captures moments of a period of pause in the nomadism of these gypsies. In the figure of the eldest and their memories, in the women and children of the group, with their speeches and gestures, with their looks and tasks.
Director
"Why is it that I've never lived in one sector definitively? Because I feel bad. I feel bad about the air of one place." Tarabatara is a call to daily life and the charms of a gypsy family from the hinterland of Alagoas. The documentary captures moments of a period of pause in the nomadism of these gypsies. In the figure of the eldest and their memories, in the women and children of the group, with their speeches and gestures, with their looks and tasks.
Editor
Director
