Benjamin Kracun

Benjamin Kracun

略歴

Benjamin Kracun is known for his work on Promising Young Woman (2020), Jersey Affair (2017) and The Third Day (2020).

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Benjamin Kracun

参加作品

静かなる侵蝕
Director of Photography
A decorated Marine goes on a rescue mission to save his two young sons from an unhuman threat. As their journey takes them in increasingly dangerous directions, the boys will need to leave their childhoods behind.
プロミシング・ヤング・ウーマン
Director of Photography
過去の悲劇的な出来事で心に傷を負った若い女性が、自分に逆らった者たちに復讐しようとする。
MONSOON/モンスーン
Director of Photography
舞台は現代のベトナム。キット(ヘンリー・ゴールディング)は、両親の遺灰を埋葬すべく、30年ぶりに祖国であるサイゴン(現ホーチミン)に足を踏み入れる。 キットは6歳のとき、家族とともにベトナム戦争後の混乱を逃れてイギリスへ渡った、“ボート難民”だ。以来、これが初めての帰郷だった。もはやベトナム語すらままならない彼は、英語が話せる従兄弟のリー(デヴィッド・トラン)の助けを借りながら、どこか大事な場所を探し始めるが、思うようには進まない。サイゴンは今やすっかり経済成長を遂げ、かつての姿は見る影もなかったからだ。そんな中、ネットで知り合ったアフリカ系アメリカ人のルイス(パーカー・ソーヤーズ)と一夜をともにするキット。ルイスの父親はベトナム戦争に従軍したという過去を持ち、そのことを隠してこの国で暮らしていた。 その後、両親の故郷ハノイへ向かったキットは、サイゴンで知り合ったアートツアーを主催する学生リン(モリー・ハリス)を訪ね、彼女の実家が営む伝統的な蓮茶の工房見学をする。それはキットの知る“古き良きベトナム”の姿にようやく触れられた時間でもあったが、リンにとっては時代遅れなものらしい。 埋葬場所探しに関しては、ハノイでも芳しい成果がなく、サイゴンに戻ったキット。そこで彼は、リーから自分たちの家族の亡命にまつわる“ある真実”を聞かされることになる——。
Beats
Director of Photography
1994, a small town in central Scotland. Best mates Johnno and Spanner, despite being total opposites, have a deep bond. Now on the cusp of adulthood, life is destined to take them in different directions – Johnno’s family are moving him to a new town and a better life, leaving Spanner behind to face a precarious future. But this summer is going to be different for them, and for the country.
Beast
Director of Photography
A troubled woman living in an isolated community finds herself pulled between the control of her oppressive family and the allure of a secretive outsider suspected of a series of brutal murders.
Ana
Director of Photography
An artificial intelligence system takes control of a futuristic car manufacturing plant.
Dark Horse
Director of Photography
The larger than life true story of how a barmaid in a poor Welsh mining village convinces some of her fellow residents to pool their resources to compete in the "sport of kings" with a racehorse they would breed and raise.
Hyena
Director of Photography
Good policing doesn't necessarily mean doing everything by the book. But as the business of crime in London turns to favour the Albanians and Turks, how does a "good" policeman survive?
Glasgow Girls
Director of Photography
GLASGOW GIRLS is a specially commissioned musical drama for BBC Three that tells the inspirational true story of a group of schoolgirls whose petition to save their friend from deportation inspired a movement which would eventually help change immigration practices in Scotland.
For Those in Peril
Director of Photography
Aaron, a young misfit living in a remote Scottish fishing community, is the lone survivor of a strange fishing accident that claimed the lives of five men including his older brother. Spurred on by sea-going folklore and local superstition, the village blames Aaron for this tragedy, making him an outcast amongst his own people. Steadfastly refusing to believe that his brother has died, he sets out to recover him and the rest of men.
The Comedian
Director of Photography
Set in the immediate and random background of today’s London. THE COMEDIAN is a fresh, dramatic and funny debut feature about choices and how not to make them.
One in Four
Director of Photography
Haunted by his involvement in a suicide, train driver Sion struggles to comprehend the consequences somebody else's decision could have on his own life.
Laddy and the Lady
Cinematography
Laddy and the Lady follows an out-of-control golden retriever, owned by a Lady, on a pheasant shoot. Scenes of the shoot are intercut with flashbacks to Laddy’s troubled past as a puppy, wrenched from his mother’s side. On the shoot, Laddy is subjected to forms of physical and verbal abuse associated with gun dog handling. His inability to behave and retrieve the dead birds results in relentless punishment. Laddy becomes a receiver – a golden receiver- of abuse.
The Substance
Director of Photography
Described as an “explosive, feminist take on body horror.” Premise TBA.